In the new Mastak Records release “Sauerland”.
Salat offers analog sirens with flashes of cosmic echo on Hypnotic, garage swing, contrasting with a rough and ready bass sound.
Discover these winding and deep trails! The Belarusian producer combines his usual breakbeat style with electro.

The first vinyl of the Mastak label - “Sauerland”

A1.Salat - Eslohe
A2.Salat - Sauerland
B1.Salat - Zmrok
B2.Salat- Hypnotic

Worldwide exclusive distributed by www.dbh-music.com

RAWAX welcomes Mario Liberti to the artist family. We are very happy to present you this great talent with his debute ep called "QUAI DES CÉLESTINS" in June.
While waiting for the vinyl to arrive, please check the teaser: https://bit.ly/30uyYtI

Direct pre-oder: https://bit.ly/3nkUAl8

Artist: Mario Liberti
Title: QUAI DES CÉLESTINS EP
Label: RAWAX
Format:12"
Genre: Broken beats, House, Minimal
Cat: RAWAX022LTD
Release date: 27.06.2022
Tracklisting:
A1. Mario Liberti - Jumpin'
A2. Mario Liberti (Natural High SOi) - Pump It Up
B1. Mario Liberti avec Noiro - Step By Step
B2. Mario Liberti - Stepping In A Hole

W+P by Mario Liberti (B1 w+p Mario Liberti & Noiro)
Mastering by Oliver Lieb @ Lhaudio.com
Vinyl cut by W.J. Henze @ Lhaudio.com

Worldwide exclusive manufacturing and distribution by www.dbh-music.com, info@dbh-music.com

Teaser: https://bit.ly/3gq0U6R

Analha was one of the first approaches I had with the design of analog basses and drums, to understand the way in which we can involve so many sounds and transform them to our own liking, to give it its own narrative, a sense, an identity in which it can be navigated about different styles without problem.

They are two pieces that make up totally different break paths where "Mi ama Dic K no" [A1] is my own exploration and vision of the break beat, three melodies written in F # that count the subtlety, while the bass contrasts in an aggressive idea to the beat of many changing rhythms in the drums, which sorfs between a Mpc, 808, Dsm & V Modular ; Classic trip hop voices samples that guide the way this own idea progresses on the breaks and pads that generate a more complete environment with a very energetic atmosphere that is constantly on the rise in the active and natural development of the track.

Towards the B side "Run mami run" [B1] is composed by a classic intro of acid cut while some seconds of drums interpose which are accompanied by a radio narration of a chase, a return change is present with a vinyl spin between voices from GTA & WU TANG CLAN which make an intro for an infusion of breaks fully aligned to the beginnings of oldskool drum and bass which are accompanied by voices recorded, treated and edited to connect more directly between the spaces interrupted by the glitch acid chords.

Among contrary structures "Analha" contains hidden but marked criticisms, it is a project that comes from 2018 and ended at the beginning of 2019 which made him think about how to involve more than music within his own sound narrative.

The sonorous identity of rachiid today is different, he understands his environment but does not believe in adapting, he tells us that each exploration and discovery during these years have led him to think how this first release was born until now but is not connected at all with what nowadays, describes his sonority today as changeable, essential and highly with IDM, experimental and breaks.

A - Raise & Sgt. Risk

A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end.

B - Sgt. Risk - Weaponized Soul

The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff.

Both of these tracks where never meant to be "conceptual tributes", but just ended up that way.
A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.

REVOLVER SOUNDS 001
Bassface Sascha - 4 Always & 4 Ever / Mind Control
Berlin based Revolver Sounds comes out with two massive tunes by
German drumandbass veteran Bassface Sascha.
4 Always & 4 Ever
4 Always & 4 Ever takes us back to the old school with its mixture of a
catchy piano riff, pitched vocals and some classy breaks and subs. Of
course, Bassface added a modern twitch to this hymn-like tune!
Mind Control
Mind Control starts with a dark intro, before turning into a modern midtone
roller with broken beats that is meant to turn dance floors upside
down.

REV001
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