RAWAX proudlly presents TXC aka Alan Oldham. We are very happy to release his two TXC projects for the first time on double vinyl! Both classics been originally released on iconic Generator Records in Detroit between 1993 & 1993!!! Don't feed the Discogs Sharks!

Teaser: https://dbh-music.com/shop/release_view/16467

Artist: TXC
Title: Compilation
Label: RAWAX MOTOR CITY EDITION
Genre: Detroit Techno/ House
Format: 2x12"
Cat. RMCE001LP
Rel. date: 11.01.2027
Tracklisting:
A1 Dream is Alive
A2 Paris By Air
B1 The Pursuit
B2 Goodbye Katrina
All tracks produced by Level A and DJ T-1000. (P) & (C) 1992 Generator Music BMI.

C1 Love You More
C2 The Real Camille
D1 Our Man in Kenya
D2 Intuition
All tracks produced by Level A and DJ T-1000 except “Kenya” engineered by Mr. H. Recorded at K-Lab, Detroit. This one’s for Margaret Ann. (P) & (C) 1993 Generator Music BMI.


Worldwide excusive distributed by www.dbh-music.com

RAWAX-S016.1 - Saktu - Carretera de las Aguas EP (12")
2nd release for Saktu on RAWAX. Don't miss this great four tracker!
Highly recommended!

Pre-order: https://dbh-music.com/shop/release_view/16368

Teaser: https://soundcloud.com/dbh-music/rawax-s016-1-saktu-carretera-de-las-aguas-ep

Artist: Saktu
Title: Carretera de las Aguas EP
Label: RAWAX
Format: 12"
Cat: RAWAX-S016.1
Genre: Minimal techno
Format: 12", Digital
Rel. date: 05.10.2026
Tracklisting:
A1. Carretera de las Aguas
A2. Okozaoko
B1. Snareballet
B2. Commune

Written & Produced by: Aleksandr Tsyrin
Worldwide exclusive distributed by www.dbh-music.com

Aubrey is finally back on RAWAX! And what a return it is...Monster Techno from the Legend!
Highly recommended!

Pre-order: https://dbh-music.com/shop/release_view/16447
Teaser: https://soundcloud.com/dbh-music/rx-02ltd-aubrey-expanding-inwards-ep

Artist: Aubrey
Title: Expanding inwards EP
Label: RAWAX
Format: 12"
Genre: Techno
Cat: RX-02LTD
Rel. date: 07.12.2026
Tracklisting:
A1 Aubrey - Expanding Inwards
A2 Aubrey - Bell Curve
B1 Aubrey - The Rooster
B2. Chillin with Buddy

Worldwide exclusive distributed by www.dbh-music.com; info@dbh-music.com

Mario Liberti returns on RAWAX with another brilliant release!
Great 4 tracker full of retro - techno - breaks!
Don't miss!

Pre-order: https://dbh-music.com/shop/release_view/16482

Teaser: https://soundcloud.com/dbh-music/mario-liberti-the-path-i-chose-ep-rawax

Artist. Mario Liberti
Title: The Path I Chose EP
Label: RAWAX
Format: 12"
Genre: Techno/ Retro/ Breaks
Cat. RAWAX022.1LTD
Release date: 14.12.2026
Tracklisting:
A1. Mario Liberti - Le Château qui s'est effondré
A2. Mario Liberti - Ritual
B1. Mario Liberti - Sobrevivimos bailando en el nimbus feat. Lourene
B2. Mario Liberti - Do The Right Thing (Esta noche haz lo correcto)

Worldwidee xclusive distributed by www.dbh-music.com

Ohm series continious with the 19th release - This time with tracks from: Vesa Matti, Nicolas Barnes, Gonzalo Villarreal and Yard One
curated by labelowner Bjarnar Jónsson!

Teaser: https://soundcloud.com/dbh-music/ohm019_various-artists-ohm

Label: OHM Series
Artist: Various Artists
Title: Ohm Series #19
Catalog: OHM019
Genre: Dub Techno/ Techno
Format. 12"
Tracklisting:
A1 Vesa Matti - Atrain X
A2 Nicolas Barnes - Pantheon
B1 Gonzalo Villarreal - Beatblitz
B2 Yard One - Zenith

Worldwide exclusive distributed by www.dbh-music.com

Rockets Audio is back with the second part of their stunning compilation called "As Above So Below".
Part 2 contains tracks by Alessio Mereu, Doubtingthomas , Max Jacobson & Metheiu, Satoshi Tomiie!
Vinyl only & highy recommended!
Teaser: https://shorturl.at/dfijU

Artist: Various
Title: As Above So Below Compilation Part 2
Label: Rockets Audio
Genre: Minimal Techno
Cat: ROCK005
Format: 12" (Vinyl only)
Release date: 04.10.23
Tracklisting:
A1 - Alessio Mereu - Entopry
A2. Doubtingthomas - Last but not least
B1. Matheiu Max Jacobson - Unknown Galaxy
B2. Satoshi Tomiie - Metropolis

Worldwide exclusive distributed by www.dbh-music.com

Rockets Audio presents a new fantastic release by Alex Arnout & Matheiu!
Highly recommended!

Teaser: https://dbh-music.com/shop/release_view/16259

Artist: Alex Arnout & Matheiu
Title: I'm Not Cracy EP
Label. Rockets Audio
Format: 12", Digital
Cat: ROCK007
Genre: Techno
Rel. date: 03.03.26
Tracklisting:
A1 Alex Arnout & Matheiu - I'm Not Crazy
A2 Alex Arnout & Matheiu - Dance!
B1 Alex Arnout & Matheiu - Kick The Bass
B2 Alex Arnout & Matheiu - Kick The Bass (M.O.N.R.O.E. REMIX)

Worldwide exclusive distributed by www.dbh-music.com

RAWAX welcomes D Man & Oliver Bradford aka DEVI G. to the family!
We are very happy about this fantastic collab between these both great arttists!

Pre-order: https://dbh-music.com/shop/release_view/16408

Teaser: https://soundcloud.com/dbh-music/rawax038-devi-g-balearic-abrasions

Artist: DEVI G.
Title: Balearic Abrasions
Label: RAWAX
Genre: House/ Electro/ Techno/ Acid
Cat: RAWAX038
Format: 12", Digital
Rel. date: 28.09.2026
Tracklisting:
A1 DEVI G - BALEARIC ABRASIONS
A2. EXIT THROUGH THEE GIFT SHOP
A3 MORNING DEPT
B1 DESIRÉ ALGORITHMIC
B2 ALL-INCLUSIVE RESIDUE (6AM)

Worldwide exclusive distributed by www.dbh-music.com

RAWAX038 - Devi G. — Balearic Abrasions (12")

English text:
You know the pattern: someone calls their album "Balearic," and you immediately expect chill-out terraces, pan-flute samples, and the umpteenth return of the Café del Mar sunset. Devi G. refuses this reflex almost maliciously. The title is a trick—an invitation to disappointment for those hoping for postcard exoticism. What is actually being negotiated here is erosion, but that of the body itself: the abrasion one inflicts upon oneself in the excess of the night, when partying turns into wear and tear, and a rush becomes a graze that only becomes visible in the morning. No backdrop, then, but a wound one has voluntarily acquired.

Instead of the usual Ibiza xylophones, Devi G. digs into the rift between idyll and wear. The result reads like a séance—less José Padilla, more as if Kevin Martin had re-recorded a Manuel Göttsching record on a dying four-track deck. The target area lies somewhere between the waterlogged ambient sketches of Huerco S. and the faded dub-afterglow of Actress, but Devi G. remains consistently on his own, grainier frequency.

Balearic Abrasions (title track) opens without haste, demanding almost without impatience: no motif, no rhythmic handhold, just a slowly tilting balance between warm texture and rough surface. The grain never feels forced—it is not a lo-fi costume, but an integral part of the statics themselves. Where other ambient producers strive for perfection, Devi G. consciously seeks the breaking point. Rhythm remains a tool, never an ambition. Those expecting quick resolution will be disappointed; those willing to listen will receive a depth effect that is rarely this vivid.

Exit Through Thee Gift Shop tips into harder territory: dub-techno reduction meets industrial edge, carried by a stoic kick drum that knows no mercy. Metallic textures slice through the sub-bass, while repetitive chords hypnotize like a defective loop. Central to this is a rare Terence McKenna recording, which functions less as spoken-word ornamentation and more as a disruptive spirit between memory and media archaeology. The title—Banksy reference included—turns this into a biting punchline: radical electronic abstraction positioned against the hyper-commercialized art world.

Morning Depth pushes the claustrophobia further, somewhere between post-industrial and deep-sea dub. The track refuses any peak-time logic, preferring to disintegrate into itself, subcutaneously, methodically. At the end, a casual, almost banal vocal sample (“i defiantly prefer chocolate”) breaks into the cool machinery—a small, profane fissure that makes the coldness of the rest of the piece all the more apparent.

Desiré Algorithmic is the album's most calculated moment: a stoic, repetitive bassline as a foundation, topped with fragile melody fragments that flash like glitches in faulty code. The title reads like a promise from nightlife—a figure that suggests much and delivers nothing, because behind the façade there is simply nothing, only simulation. The track carries exactly this principle: promise without substance, desire without body, just rendering. Only in the final third does a melancholic saxophone break into the sterile structure—organic, imperfect, and for that very reason more credible than everything before it. It is the moment in which the real briefly flashes through the surface of the dummy before it closes again.

All-inclusive Residue concludes the album as sedimentation rather than dramaturgy: dub-techno remnants, industrial patina, salty ambient surfaces that settle rather than compose. The refusal of consumption as a sonic principle—brittle, stubborn, with a gravity that lingers long after.

Verdict: Balearic Abrasions is not easy listening with a sea view, but an exercise in patience and friction. The restraint with which Devi G. avoids climaxes will frustrate some—for everyone else, that is exactly where the record's strength lies. No sunset. Rather, what remains on the rocks afterward.

German text
Man kennt das Muster: Irgendwer nennt sein Album »balearisch«, und schon rechnet man mit Chill-out-Terrassen, Pan-Flöten-Samples und der x-ten Wiederkehr des Café-del-Mar-Sonnenuntergangs. Devi G. verweigert diesen Reflex fast bösartig. Der Titel ist ein Trick — eine Einladung zur Enttäuschung derjenigen, die auf Postkarten-Exotik hoffen. Was hier tatsächlich verhandelt wird, ist Erosion, aber die des eigenen Körpers: die Abrasion, die man sich im Exzess der Nacht selbst zufügt, wenn aus Feiern Abnutzung wird und aus Rausch eine Schürfwunde, der am Morgen erst sichtbar wird. Keine Kulisse also, sondern eine Wunde, die man sich freiwillig geholt hat.

Statt der üblichen Ibiza-Xylophone gräbt sich Devi G. in den Riss zwischen Idylle und Verschleiß. Das Ergebnis liest sich wie eine Séance — weniger José Padilla, eher als hätte Kevin Martin eine Manuel-Göttsching-Platte auf einem sterbenden Vierspur-Deck neu eingespielt. Irgendwo zwischen den durchnässten Ambient-Skizzen von Huerco S. und dem ausgeblichenen Dub-Nachglühen von Actress liegt das Zielgebiet, aber Devi G. bleibt konsequent auf seiner eigenen, körnigeren Frequenz.

Balearic Abrasions (Titeltrack) eröffnet ohne Eile, fast ohne Ungeduld verlangend: kein Motiv, kein rhythmischer Haltegriff, nur eine langsam kippende Balance zwischen warmer Fläche und rauer Oberfläche. Die Körnung wirkt nie aufgesetzt — kein Lo-Fi-Kostüm, sondern integraler Bestandteil der Statik selbst. Wo andere Ambient-Produzenten Perfektion anstreben, sucht Devi G. bewusst die Bruchstelle. Rhythmik bleibt Werkzeug, nie Anspruch. Wer schnelle Auflösung erwartet, wird enttäuscht; wer bereit ist zuzuhören, bekommt eine Tiefenwirkung, die selten so plastisch gerät.

Exit Through Thee Gift Shop kippt ins Härtere: Dub-Techno-Reduktion trifft auf Industrial-Kante, getragen von einer stoischen Kickdrum, die keine Gnade kennt. Metallische Texturen zerschneiden den Sub-Bass, während repetitive Akkorde hypnotisieren wie eine defekte Endlosschleife. Zentral: eine seltene Terence-McKenna-Aufnahme, die weniger als Spoken-Word-Zierrat funktioniert denn als Störgeist zwischen Erinnerung und Medienarchäologie. Der Titel — Banksy-Referenz inklusive — macht daraus eine bissige Pointe: radikale elektronische Abstraktion gegen die durchkommerzialisierte Kunstwelt in Stellung gebracht.

Morning Depth treibt die Klaustrophobie weiter, irgendwo zwischen Post-Industrial und Tiefsee-Dub. Der Track verweigert jede Peaktime-Logik und zerfällt lieber in sich selbst, subkutan, methodisch. Am Ende bricht ein beiläufiges, fast banales Sprachsample („i defiantly prefer chocolate”) in die kühle Maschinerie ein — ein kleiner profaner Riss, der die Kälte des restlichen Stücks umso deutlicher macht.

Desiré Algorithmic ist der kalkulierteste Moment des Albums: eine stoische, repetitive Bassline als Fundament, darüber fragile Melodiesplitter, die aufblitzen wie Glitches in fehlerhaftem Code. Der Titel liest sich wie ein Versprechen aus dem Nachtleben — eine Figur, die viel andeutet und nichts einlöst, weil hinter der Fassade schlicht nichts steht, außer Simulation. Genau dieses Prinzip trägt der Track: Verheißung ohne Substanz, Begehren ohne Körper, nur Rendering. Erst im letzten Drittel bricht ein melancholisches Saxophon in die sterile Struktur ein — organisch, unvollkommen, und gerade deshalb glaubwürdiger als alles zuvor. Es ist der Moment, in dem das Reale kurz durch die Oberfläche der Attrappe blitzt, bevor sie sich wieder schließt.

All-inclusive Residue beschließt das Album als Sedimentation statt Dramaturgie: Dub-Techno-Reste, Industrial-Patina, salzige Ambientflächen, die sich eher ablagern als komponieren. Konsumverweigerung als Klangprinzip — spröde, hartnäckig, mit einer Schwerkraft, die lange nachwirkt.

Fazit: Balearic Abrasions ist kein Easy Listening mit Meerblick, sondern eine Übung in Geduld und Reibung. Die Zurückhaltung, mit der Devi G. auf Höhepunkte verzichtet, wird manche frustrieren — für alle anderen liegt genau darin die Stärke der Platte. Kein Sonnenuntergang. Eher das, was danach an den Felsen zurückbleibt.

We are very happy to present you Guillaume and the Coutu Dumonts on our Motor City Edition!

Pre-order: https://dbh-music.com/shop/release_view/16321

Artist: Guillaume and the Coutu Dumonts
Title: Racacoonie
Label: RAWAX MOTOR CITY EDITION
Format: 12"
Cat. RMCE032
Genre: Techno/ Detroit
Rel. date: 25.11.26
Tracklisting:
A1 Strato Cirrus
B1 Skunk d'ete
B2 Raton Raver

Worldwide exclusive distributed by www.dbh-music.com

DFXRADIO – Lost Spirituals EP (ADDICT002)

Pre-order: https://dbh-music.com/shop/release_view/16483


Text: (ENG)
Techno is an experimental journey: deep, moving, cinematic, carried by science-fiction dreams steeped in true melancholy. Over time, much of this heritage has faded away. The soul and spirituality of the music have receded, giving way to the oversized ego of some, and to the constant need to show off on social media: a techno that looks beautiful, but is sterile, limited, meaningless, with no jazz, gospel or disco influence at all. The innovators, whether African-American in Detroit, Chicago and New York, or German with Kraftwerk, bet everything on the hypnotic and mesmerizing side of this music. "Lost Spiritual" was born from this observation, with a simple idea: to give more credit to the music and what it makes you feel than to the musician's look or haircut. This record is a tribute, an inspiration, and the hope that the spiritual dimension, which was the priority in the early 80s, will never die.

Text (FR)
La techno est un voyage expérimental : profond, émouvant, cinématographique, porté par des rêves de science-fiction empreints d'une véritable mélancolie. Avec le temps, une grande partie de cet héritage s'est effacée. L'âme et la spiritualité de la musique ont reculé, laissant place à l'ego démesuré de certains, au besoin permanent de s'afficher sur les réseaux sociaux : une techno belle en apparence, mais stérile, limitée, vide de sens, sans aucune influence jazz, gospel ou disco. Les innovateurs, qu'ils soient afro-américains à Détroit, Chicago et New York, ou allemands avec Kraftwerk, misaient tout sur l'aspect hypnotique et envoûtant de cette musique. « Lost Spiritual » est né de ce constat, avec une idée simple : donner plus de crédit à la musique et à ce qu'elle procure qu'au look du musicien ou à sa coupe de cheveux. Ce disque est un hommage, une inspiration, et l'espoir que la dimension spirituelle, qui était la priorité au début des années 80, ne meure jamais.


Artist: DFXRADIO
Title: Lost Sspirituals EP
label: Addict Records
Cat: Addict002
Genre: Detroit Techno
Format: 12"
Rel. date: 23.11.2026
Tracklisting:
A1 WHEN YOU ARE WHO YOU ARE
A2 DETROIT IS POLITIC
B1 WAREHOUSE
B2 BE STRONG

Worldwide exclusive distributed by www.dbh-music.com

We a re happy to welcome back the wonderful Lis Sarroca! After her heavy debut on CHIWAX
5 years ago, it was more than about time to bring this great artist back to out label pool.
This upcoming release on RAWAX shows again Lis' big range of music. Future -Retro-Techno at it best!
Highly recommended!

Pre-order: https://dbh-music.com/shop/release_view/16336

RAWAX030LTD - Lis Sarroca - Rare Ocassion (12")

Teaser: https://soundcloud.com/dbh-music/rawax030ltd-lis-sarroca-rare-ocassion
Artist: Lis sarroca
Title: Rare Ocassion
Label: RAWAX
Format: 12"
Genre. Techno
Cat: RAWAX030LTD
Rel. date: 21.09.2026
Tracklisting:
A1 Lis Sarroca - Far and Between
A2 Lis Sarroca - No Edge
B1 Lis Sarroca - Was I Wrong
B2 Lis Sarroca - Last Summer

Worldwide exclusive distributed by www.dbh-music.com

Justin Berkovi presents You're so Alien - The Remixes. His classic track from 1999
comes around new remixes from Johannes Volk, Lee Holman and from Justin himself.
Higly recommended!

Pre-order: https://dbh-music.com/shop/release_view/16277

Teaser: https://soundcloud.com/dbh-music/predx009-justin-berkovi-you-are-so-alien-the-remixes

Artist: Justin Berkovi
Title: You're so Alien - The Remixes
Label: Predicaments
Format: 12"
Release date: 20.11.2026
Genre: Techno
Cat: Predx009
Tracklisting:
A1. You're so Alien - Lee Holman RMX
A2. You're so Alien - Johannes Volk RMX
B1. You're so Alien - Berkovi/ Saturn RMX
B2. You're so Alien (Original)

Mastered by Oliver Lieb @ Lhaudio.com
Cut by W.J. Henze @ Lhaudio.com
Worldwide exclusive distributed by www.dbh-music.com