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Maike Depas 
The Age Of Chaos (incl. Matasism Remix) 
The Innovation Studio / TIS005
Italian hard techno DJ/Producer MAIKE DEPAS announces brand-new
5-track EP ‘The Age Of Chaos’ (out April 19th) on The Innovation Studio

Stream ‘The Age Of Chaos’
Download the Press Kit

Label: The Innovation Studio (digital and vinyl via DBH Frankfurt)

“Depas strikes a fine balance between raw energy and subtle melodic hooks.” (DMY)
“Throughout the pounding track [Midnight Ride], the Italian beat smith expertly blends lush

synths with intricate rhythmic components and gritty bass.” (EDM.com)

“Depas' approach to techno is a veritable melting pot of influences, blending sounds from
the 80s and 90s with contemporary symphonic and cinematic elements.” (Magnetic Mag)



Following his recent ‘Rave The Planet’ EP at the end of February, Milanese hard techno
producer Maike Depas is back with a brand-new release on well-renowned label The
Innovation Studio. His newest EP is named ‘The Age Of Chaos’ and features a five-track
banger arsenal – including a special remix by Italo-American producer Matasism, which
was also included in his recent BPtich Control mixtape.

“This EP is the result my own experience throughout an inner dystopic reality,
where energy-ridden sounds and epics all collide into a very personal version
of the hard techno legacy I’m devoted to.”

‘No Redemption’ is a proper big-room belter, with explosive drop divided by a big break
and a statuesque vocal that feels like a claim: “Techno is my only drug”. Same goes for
‘Tesseract’ and it’s rave-like atmosphere and hypnotic hook. ‘Dystopia’ is pure groove
and makes the listener dive into a distorted and futuristic metaverse, while ‘Cyber Attack’
and its remix include synthetic vocals tha aim to symbolize an artificial imposition: man
against machine, fiction against reality.

‘The Age Of Chaos’ will be available from April 19th via The Innovation Studio.

TRACKLIST
A1 – No Redemption
A2 – Tesseract
B1 – Dystopia
B2 – Cyber Attack
B3 – Cyber Attack (Matasism Remix)

About MAIKE DEPAS

Young hard techno DJ-producer Maike
Depas (born Michelangelo De Pasquale)
has seen the future of music and it’s called
metaverse: “In the future it will blow up,”
he predicts. “And it’s going to revolutionize
the way we experience music.” Bowled
over by Skrillex and Martin Garrix by the
age of eight, and DJing at smaller Milan
clubs by the time he was eleven, Depas
went on to study composition and piano at
the prestigious Milan Conservatory before
learning ‘life-changing” lessons from the
best in the business at Catalyst’s 4-week
Advanced Sound Design course in Berlin’s
Funkhaus . His production gets inspired
by huge 90s trance synths as much as
pounding hard techno from artists such as
Kobosil, In Verruf and Amelie Lens.
2024 marked the launch of MAIKE
DEPAS 2.0,
a tectonic audio-visual shift that entails a wide array of content from DJ sets
livestreamed from Berlin’s Teufelsberg and other dystopic locations around Europe to
cyberpunk-inspired outfits designed by Demobaza, a cyberpunk-inspired casual couture
brand best known for their sustainable Dune X Demobaza collection. Over the course of
a developing metamorphosis from a flesh-and-bone individual to a mysterious CGI
character, Depas is another step closer to revolutionize the dance music scene through
the metaverse.
2024-05-13 12" WW EXCL
Techno
Maike Depas 
Rave the Planet 
The Innovation Studio / TIS004
Italian hard techno DJ-producer MAIKE DEPAS announces EP ‘Rave the Planet’ (out 29 February) ahead of MAIKE DEPAS 2.0 audio-visual makeover

‘Depas strikes a fine balance between raw energy and subtle melodic hooks.’ (DMY)

‘Throughout the pounding track [Midnight Ride], the Italian beatsmith expertly blends lush synths with intricate rhythmic components and gritty bass.’ (EDM.com)

‘Depas' approach to techno is a veritable melting pot of influences, blending sounds from the 80s and 90s with contemporary symphonic and cinematic elements.’ (Magnetic Mag)

Upon the return from the dark and dreamy regions of his previous EP ‘Euphoria’, Milanese hard techno DJ-producer MAIKE DEPAS (Michelangelo De Pasquale) announces new EP ‘Rave the Planet’, out 29 February via The Innovation Studio, ahead of MAIKE DEPAS 2.0 audio-visual makeover. Sending tremors through the electronic underground scene, Depas joins Kobosil and In Verruf in carrying the torch of uncompromising Berlin techno while keeping his feet firmly planted in the melodic 1990s trance of Push, Jam & Spoon, and Cygnus X.

Introducing his new heavy-duty fusion of face-melting techno and trance carrying ‘Go Hard or Go Home’ warning sign, Depas makes the crowd grind their teeth with a behemoth of an opener ‘Heartbreaker’ only to fill the dancefloor with dread on the shiver-inducing ‘Vortex’, a power move designed to set the scene for the title track’s fervent rave sermon delivered in a cyborg voice by Depas, followed by the erotic undertones of throbbing closer ‘Float Together’ including the blistering remix by the Italian DJ Amstra.

‘Rave the planet / Stay together / In techno we trust / Rave the planet’ - MAIKE DEPAS, Rave the Planet

At its core, ‘Rave the Planet’ is Depas’ personal paean to the true spirit of the original rave culture as represented by Lukas Havlik’s (Ludenworks) Luis Royo-esque artwork of a pulsating cybernetic planet of complex, interconnected nerve fibres wrapped around the Depas globe logo. “As a raver, you feel this sense of unity with community and it’s similar to a religion we’ve had for thousands and thousands of years,” Depas compares. “We are the planet, we are the culture, so both are the reflection of ourselves in the wider world.” For Depas, the concept of solidarity runs deep within techno culture. Coming right from the heart, Depas is driven by the opportunity to bring people together for one thing and one thing only: “Just for the love of techno and to celebrate the music in a club.”

‘As a raver, you feel this sense of unity with a community similar to a religion we’ve had for thousands and thousands of years.’ - MAIKE DEPAS

‘Rave the Planet’ is released in conjunction with MAIKE DEPAS 2.0, a tectonic audio-visual shift that entails a wide array of digital content as varied as DJ sets live streamed from Berlin’s Teufelsberg and other dystopian locations around Europe as well as enhanced PR-photos featuring cyberpunk-inspired outfits designed by Demobaza, a cyberpunk-inspired casual couture brand best known for their sustainable Dune X Demobaza collection. Over the course of upcoming metamorphosis from a flesh-and-blood individual into a mysterious CGI character, Depas is another step closer to revolutionising the dance music scene through the metaverse.

‘Rave the Planet’ drops 29 February on digital and vinyl via The Innovation Studio:

A1 – Heartbreaker
A2 – Vortex
B1 – Rave the Planet
B2 – Float Together
B3 – Float Together (Amstra Remix)

About MAIKE DEPAS

Young hard techno DJ-producer MAIKE DEPAS (born Michelangelo De Pasquale) has seen the future of music and it’s called metaverse: “In the future it will blow up,” he predicts. “And it’s going to revolutionise the way we experience music.” Bowled over by Skrillex and Martin Garrix at the age of 8, and DJing at small Milan clubs by the time he was 11, Depas went on to study composition and piano at the prestigious Milan Conservatory before learning ‘life-changing” lessons from the best in the business at Catalyst’s 4-week Advanced Sound Design course in Berlin’s Funkhaus last year. Inspired in equal measures by the huge synths of 1990s trance and pounding hard techno of Kobosil, In Verruf, and Amelie Lens, 2024 marks the launch of MAIKE DEPAS 2.0, a tectonic audio-visual shift that entails a wide array of content from DJ sets livestreamed from Berlin’s Teufelsberg Credits: Lukas Havlik (artwork), Marcel Wiest (photo)
and other dystopian locations around Europe to cyberpunk-inspired outfits designed by Demobaza, a cyberpunk-inspired casual couture brand best known for their sustainable Dune X Demobaza collection. Over the course of upcoming metamorphosis from a flesh-and-blood individual into a mysterious CGI character, Depas is another step closer to revolutionising the dance music scene through the metaverse. His new EP ‘Rave the Planet’ drops 29 February on digital and vinyl via The Innovation Studio.
2024-03-28 12" WW EXCL
Techno - Hard
Maike Depas 
Euphoria 
The Innovation Studio / TIS003
Milanese techno shaman MAIKE DEPAS travels from the dark to the dreamy side of the dance floor on his EP ‘Euphoria’ (out 24 November on The Innovation Studio)

‘Techno emissary Maike Depas storms back onto the scene with 'State of Techno', a bold fusion of past and present influences set to reshape dance floors in 2023.’ (Magnetic Mag)

‘State of Techno is the Milanese producer's visionary work fusing 80's and 90's sounds through a modern lens creating an exhilarating release weaving through 30 years of underground club music.’ (The Brvtalist)

On the back of the breaky Grand Prix 2049 anthem ‘Midnight Ride’, Milanese techno shaman MAIKE DEPAS (Michelangelo De Pasquale) travels from the dark (‘We Move’, ‘Inner Voices’ and ‘Techno Appeal’) to the dreamy side (‘Midnight Ride’ and ‘Green Hornet’) of the dance floor on his EP ‘Euphoria’, coming out on 24 November via The Innovation Studio. One foot in stoic Schranz techno of Chris Liebling’s CLR, the other one in eschatological goa trance of Dragonfly Records, never going under 134 BPM, Depas strikes the perfect balance between dystopia and utopia. “This is my idea of what the ravers want to listen inside the club,” Depas reckons.

“Euphoria has two sonorities: the dark vibe, and the dreamy one. This is my idea of what the ravers want to listen inside the club.” – Maike Depas

With the complex arrangements of the past Depas-releases left out and the trusted workhorse – a custom-made pitch black Roland TR-909 from 1983 – responsible for doing the heavy lifting in the drum sections, ‘Euphoria’ is a beat-heavy affair that draws its relentless drive and rhythmic richness from merging polyrhythmic patterns merged with streamlined melodies and nifty vocal samples – such as the double entendre ‘quiero jugar una horas mas’ (Engl. ‘I want to play one hour more’) on the no-holds-barred hard trance number ‘Techno Appeal’, and the riveting juxtaposition of mesmerizing female vocals and handclaps of roaring crowds in hypnotic ‘Inner Voices’.

“These demoniac figures resemble human transformation and the idea of achieving euphoria through esotericism.” – Maike Depas

However, when it comes to Depas, there is always more to his music than merely being dead set on setting the dance floors on fire. The antler-wearing figures and witches’ circles depicted in the artwork hint at Depas’ invitation for the clubbers to let his music move them far beyond the physical world. “These demoniac figures resemble human transformation and the idea of achieving euphoria through esotericism.”

Tracklist:

A1 – We Move
A2 – Techno Appeal
A3 – Inner Voices
B1 – Midnight Ride
B2 – Green Hornet
2023-11-24 12" WW EXCL
Techno - EBM
Maike Depas 
State Of Techno 
The Innovation Studio / TIS001
Milanese Techno Visionary MAIKE DEPAS Announces His
Edgy Debut EP ‘State of Techno’

PR:
Having lulled us into a false sense of security with his dream house track ‘Voyager’,
Milanese techno emissary MAIKE DEPAS (Michelangelo De Pasquale) is back with
a vengeance on ‘State of Techno’, out on TBC via The Innovation Studio, hellbent
on moving and shaking the dance floors in 2023. Drawing on the hallucinatory
Blue Room Released psytrance and the weapons-grade post-Wall techno of Tresor
Club as much as an in-your-face attitude of Anthony Rother and Charlotte De
Witte, Depas is effectively time travelling through the past 30 years of underground
club sound. “I’m trying to propose something new but at the same time the audience
is reminded of something that already happened in the past,” he explains.
“I’m trying to propose something new but at the same time the
audience is reminded of something that already happened in the
past.”
Basically, Depas’ vision of techno melds together the sounds from the 1980s and
1990s with more contemporary symphonic and cinematic elements to thicken the
mix and heighten the atmosphere. “I would say this type of production with retro
sounds and influences with the new techniques of synthesis are what is happening
right now,” he states. The rumble bass opener ‘Culture’ comes down hard, giving a
taste of what will follow; ‘Dark Room’, with its lacerating stab sequences and
hypnotic commands delivered through an electro-style vocoder, and ‘Industrial’, a
relentless percussive barrage of timpani and hand drums led by Depas’ very own
guitar synth he has christened ‘the Edge’. And topping it all off, Mattia Trani peels
the paint off the walls with his remix of ‘Industrial.’
Culture
Dark Room
Industrial
Industrial (Mattia Trani Remix)
Ascension*
* Exclusive digital bonus track. QR code hidden in ‘Dark Room’ video.
The music video ‘Dark Room’ accompanying the release – another thrilling
audiovisual journey into the metaverse following ‘Voyager’– sees Depas return to the
apocalyptic world inspired by the godfather of cyberpunk William Gibson’s 1984 cult
novel ‘Neuromancer’. Woken up by a mysterious voice and compelled to investigate
its origin, the technologically enhanced protagonist makes a dramatic escape out of
a clandestine laboratory that brings to mind Major Mira Killian’s iconic rooftop jump in
the anime classic ‘Ghost in the Shell’. As the voice beckons him to approach the
door at the end of a dodgy alleyway filled with sinister characters, upon entering the
premises he is presented with an ultimate choice: to become liberated or remain a
slave to the system.
“For me this is my first important step in the techno scene.
I wanted to create a huge impact, really consolidate it.”
Working in tight collaboration with young Parisian CG artist Matthieu Martin also
known as Impossible Realities ‘who loves to create dystopian and futuristic dark
artworks from his dreams or perhaps from his nightmares’, it took Depas and Martin
seven weeks of backbreaking work to bring the project to completion. “We worked
strongly together every single moment of the day,” Depas describes. Creating an
enormous environment and utilising the camera as the omniscient narrator in the
Voyager video had already been ambitious enough. “It was really hard to create
storytelling without someone who writes for you the choreography, the ambience and
what happens in each section.”
The challenge faced by the protagonist in ‘Dark Room’, “a test to see if the character
is ready to join a different society in which he can achieve something that was not
reachable before,” has a familiar ring to it. “For me this is my first important step in
the techno scene,” Depas says. “I wanted to create a huge impact, really consolidate
it.”
Young Milanese DJ-producer MAIKE DEPAS (born Michelangelo De Pasquale) has
seen the future of music and it’s called metaverse: “In the future it will blow up,” he
predicts. “And it’s going to revolutionise the way we experience music.” Bowled over
by Skrillex and Martin Garrix at the age of 8, and DJing at small Milan clubs by the
time he was 11, Depas went on to study composition and piano at the prestigious
Milan Conservatory before learning ‘life-changing” lessons from the best in the
business at Catalyst’s 4-week Advanced Sound Design course in Berlin’s Funkhaus
last year. Inspired by the Italian groups MEDUZA and Anyma at the epic end of the
techno spectrum, his cyberpunk-inspired video ‘Voyager’ is his first step towards
incorporating virtual reality into his productions and offering his audiences an
unforgettable, immersive experience.
For the son of an art collector, being born in the cultural capital of Europe was
something of a double-edged sword. On the one hand, it opened Depas’ eyes to the
fundamental concepts behind art. “It helped me to better understand the idea behind
a painting or a track,” he explains. ”The artist is not just doing normal work. He is
putting all his feelings, all his ideas into a masterpiece.” But on the other hand, the
conservative Italian culture became an obstacle on his career path. “As you can
imagine, there is this stereotype of being an artist in our society,” he says, smiling,
which implies this stereotype is not a very flattering one.
Not that it was enough to put a damper on Depas’ plans, though. Ever since he had
heard ‘Kyoto’ by Skrillex for the first time when he was only 8-years old, his heart
had always been set in electronic music. “It was really, really strong, and I said:
What?! This is amazing…!” he recalls, laughing. “I’d never heard anything like that
before.” From dubstep the tracks lead to Martin Garrix, the big room EDM, and
eventually to trance and melodic techno of Sven Väth with whom he is “really in love
with.”
By the time he was 11, his father helped him out by booking DJ-gigs for him at small
venues around Milan. “I used to play in really small clubs, not the most beautiful in
Milan. And the people were not so great, as you can imagine,” he describes. “My
father used to take me back home at 2am so it was quite demanding to do this kind
of stuff,” he admits. And it was not only the venues and the staff that left a lot to be
desired. “Unfortunately, I was able to have one EDM song in every 2-3 hour set… I’m
not joking,” he says, sighing. And the rest of the set? “That was mainstream pop,
tracks playing on radio or Top-50 on Spotify Italy,” he says, chuckling. “So it was
quite difficult.”
Without a doubt one of the most important turning points of Depas’ career was his
entry into the Milan Conservatory where he became musically literate by studying
composition and piano, his main instrument. “For me, it’s the pure sound,” he sums
up, and goes on to describe his creative process. “The first thing to do is to sit at the
piano and start to improvise something. When the main chords are right, I try to
figure out my direction.” The influence of the Conservatory and the lessons learn on
classes are ingrained in him: the importance of structure, even a habit of jotting down
the notes on a piece of paper.
But even if the time at the Conservatory were well spent, none of it makes the grade
compared to arriving in Berlin for Catalyst’s 4-week Advanced Sound Design course
held at Funkhaus in 2022, “it was a life-changing experience” reflected in the name
of the single ‘Berliner’ released shortly after, a track Feeder.co described as follows:
“featuring charming melodies and backed by a strong groove, ‘Berliner’ flows like a
chilled breeze, being a spicy pick for your melodic DJ sets!” Being taught by
Christopher Jarman of Kamikaze Space Programme and Laurence Osborne aka
Appleblim left a lasting impression on Depas and deepened the understanding of
his craft. The most important maxim was “Everything is a sound.” A case in point, he
cites, is the American avant-garde composer John Cage’s score titled 4′33″ which
explicitly instructs performers not to play their instruments for the entire duration of
the composition. “The main idea about this is that the sounds that come from the
audience and the atmosphere in the chapter is the music,” he explains. “That’s when
I realised that foley sounds and all this kind of art can be implemented in my vision
and in my works.”
Discussing with Depas, the term ‘vision’ comes up often in relation to his work,
especially the new music video of Voyager, an entry into the world where techno and
virtual reality turn into an unforgettable, heightened sensory experience. “I would
love each listener to create their own vision of Voyager,” he muses. “The character
has no face so there is no identity behind the character, everyone can be the
character, and everyone can do their own journey into my world of music.” For any
masterpiece to become complete, the artistic vision needs a counterpart, a mirror
image, and that is the vision of an audience member. “This is what I’m talking about.”
2023-06-16 12" WW EXCL
Techno - Hard
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