Blauert
Resonanz
200 RECORDS / 200 052
Blauert – Resonanz
A1. Affection
A2. Transformation
B1. Alienation
B2. Resonance
Rel. date: 13.07.2026
Cat No°: 200 052
EAN 0653748600614
Release Date:
June 29th, 2026
After his 2024 sold-out debut 12" "Selective Attention", which was praised by many artists like Karotte, Jamie Jones, Michel de Hey, Stefan Weise, Sam Paganini, Slam, and more, Blauert releases his new 4-tracker for the episode of 2026. Four deep dub and house-influenced techno tracks!
Written and produced by Dominic Jabs
Mastered by Emanuel Geller at Salz Mastering
Worldwide exclusive distributed by www.dbh-music.com; info@dbh-music.com
Published by 200 Records, 2026
A1. Affection
A2. Transformation
B1. Alienation
B2. Resonance
Rel. date: 13.07.2026
Cat No°: 200 052
EAN 0653748600614
Release Date:
June 29th, 2026
After his 2024 sold-out debut 12" "Selective Attention", which was praised by many artists like Karotte, Jamie Jones, Michel de Hey, Stefan Weise, Sam Paganini, Slam, and more, Blauert releases his new 4-tracker for the episode of 2026. Four deep dub and house-influenced techno tracks!
Written and produced by Dominic Jabs
Mastered by Emanuel Geller at Salz Mastering
Worldwide exclusive distributed by www.dbh-music.com; info@dbh-music.com
Published by 200 Records, 2026
2026-07-13
12"
WW EXCL
Techno - Dub
Raise, Sgt. &Risk
Sport10000
Sport / Sport10000
Label: Sport
Release: Sport10000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise & Risk – The Itch
B1 – Raise & Risk – Anti histamine
B2 – Raise & Risk – Screwfix E17
Sport 10000
A – Raise & Risk – The Itch
A tiny camel keyring tossed around on a contact mic and run through an ancient plate reverb makes up most of the percussions, odd ad-libs and wooshes in "The Itch". A 60 ton bass growl of mesozoic depth and some messed up hihats nicked from a previously discarded track round things off. Unfolds particularly well at high volume with ample Waterhouse-level low end.
B1 – Raise & Risk – Anthistamine
The initial minimalist groove of "Antihistamine" had already been in place for a while. But it was the log drums we added after a long night spent in a dark room surrounded by and partaking in mayhem that really tied it all together. Overall a moody and somewhat dissonant affair, the track breathes and oozes in unexpected ways, like we've never managed before.
B2 – Raise & Risk – Screwfix E17
Sirens wail, shouts compete for attention, a gnarly bassline tests your speakers and the drums switch between half- and doubletime 165 business. "Screwfix E17" is a rowdy loveletter to everyone's fav retailer of cheap tools and ambivalent service.
https://sportisgreat.space/
https://soundcloud.com/sportrecordings
https://www.instagram.com/sport_recordings/
Release: Sport10000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise & Risk – The Itch
B1 – Raise & Risk – Anti histamine
B2 – Raise & Risk – Screwfix E17
Sport 10000
A – Raise & Risk – The Itch
A tiny camel keyring tossed around on a contact mic and run through an ancient plate reverb makes up most of the percussions, odd ad-libs and wooshes in "The Itch". A 60 ton bass growl of mesozoic depth and some messed up hihats nicked from a previously discarded track round things off. Unfolds particularly well at high volume with ample Waterhouse-level low end.
B1 – Raise & Risk – Anthistamine
The initial minimalist groove of "Antihistamine" had already been in place for a while. But it was the log drums we added after a long night spent in a dark room surrounded by and partaking in mayhem that really tied it all together. Overall a moody and somewhat dissonant affair, the track breathes and oozes in unexpected ways, like we've never managed before.
B2 – Raise & Risk – Screwfix E17
Sirens wail, shouts compete for attention, a gnarly bassline tests your speakers and the drums switch between half- and doubletime 165 business. "Screwfix E17" is a rowdy loveletter to everyone's fav retailer of cheap tools and ambivalent service.
https://sportisgreat.space/
https://soundcloud.com/sportrecordings
https://www.instagram.com/sport_recordings/
2025-10-20
12"
WW EXCL
Broken - Dubstep
Bass Music Dubstep
atom heart
milagro ep
rawax / rawax008ltd
RAWAX proudly welcomes Atom heart to the family!
Atom™ (also known as Atom Heart and often confused with Señor Coconut, real name Uwe Schmidt) is a German composer, musician and record producer of electronic music. He is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.
1983-1990
Atom™ began making music in the early 1980's, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label "N.G. Medien", on which various tapes of international artists, including the Canadian Electronic Body Music act "Frontline Assembly" and his first musical work under the name "Lassigue Bendthaus", entitled "The Engineer's Love", were released. Soon after, he started to work on what would become his first official Lassigue Bendthaus record release, the album "Matter". The recordings and production for "Matter" began in 1986 and took almost 4 years, until the album finally came out in 1991 on the German "Parade Amoureuse" label. "Matter" as well as it's related singles and maxi-singles were recorded and mixed by Tobias Freund (Pink Elln). "Lassigue Bendthaus" until that point, was musically categorized as "Electronic Body Music" (EBM), even though part of the success of "Matter" may have been the fact that it didn't quite fit the category and already incorporated musical elements of the 1990's. Uwe Schmidt played his first live show as "Lassigue Bendthaus" as the opening act for the british group "Meat Beat Manifesto" at the Frankfurt "Batschkapp" in 1989.
1991-1994
Still living in Frankfurt, Uwe Schmidt was directly influenced by the emerging "pre-techno" movement of the late 1980's known as house and acid house. A sub-label of "Parade Amoureuse" released some of Schmidt's dance floor oriented productions under the alias "Atom Heart" which he adopted as his main artist name from then on. The early 1990's saw a series of 12-inch vinyl productions, mainly aimed at the dance floor, which were released under a variety of different project titles such as Atom Heart, Slot, etc.
In 1992 he was in charge of producing a series of tracks for the yet to be widely known DJs Pascal F.E.O.S. (Resistance D), Ata and Heiko M/S/O (Ongaku). Uwe Schmidt produced and co-wrote titles such as "Ongaku" and "Cosmic Love", which became successful prototypes for the appearing "Trance" movement. His activities as a music producer continued with the Austrian multimedia artists "Station Rose" whom had just moved from Vienna to Frankfurt in 1992. The 12-inch "Digit Eyes" was produced by Schmidt and Station Rose the same year. During the production of "Digit Eyes" he was introduced to Tetsu Inoue, a New York based japanese electronic music producer, with whom he founded the "Datacide" project in 1993.
Out of the "N.G. Medien" nucleus the record label "POD Communication" was founded in 1992. After the bankruptcy of "Parade Amoureuse" and its sub-labels in 1992, Schmidt moved his activities to the "POD Communication" label on which he released a series of 12-inches and albums under the guises of Atom Heart, Lisa Carbon and Atomu Shinzo. Also releasing on "POD Communication" was the German artist Pete Namlook whom Uwe Schmidt first met at the "POD" office in Frankfurt. Due to his releases on "Parade Amoureuse" and "POD Communication" and his successful production works, Schmidt had quickly obtained a reputation that let him play live concerts all around the world. Together with Tobias Freund, who by then still used the "Pink Elln" pseudonym, Schmidt played a live show at one of the first "rave" parties ever in Finland in 1992. The live concert was recorded and released on "Ongaku Music" in 1992 known as "Elektronikkaa - Atom Heart & Pink Elln live in Montreux and Helsinki" and became one of the first released live Techno live recordings.
A vast amount of productions were released worldwide due to the licensing activities of "POD Communication", "Ongaku Music" and a variety of other Frankfurt based record companies. After "Parade Amoureuse" closed down in 1992, his first album "Matter" was re-released by the Italian record label "Contempo Records" from Florence.
By 1993 Schmidt released the follow up album to "Matter" : Lassigue Bendthaus - "Cloned". "Cloned" was produced and licensed to "Contempo Records" together with a sample CD titled "Cloned:Binary" which contained the sounds used on the original "Cloned" release. "Contempo Records" went bankrupt in 1993.
Due to open payments by those labels, lack of a recording studio and unresolved recording contracts, Schmidt decided to take some months off and lived for half a year in Costa Rica (end of 1992 until early 1993). On the way back from Costa Rica, he stopped over in New York City, where he visited Tetsu Inoue to record the first "Datacide" album. Back home in Frankfurt, his interest in Latin Music started to grow and in fact the birth of the "Señor Coconut" moniker can be allocated somewhere around that time. Even though "Lassigue Bendthaus" had not brought him much luck until then, he decided to start recording his third album during 1993 entitled "Render". Because of the stagnation and inherent ignorance of the "Techno" movement that surrounded Schmidt's work, he soon began to distance from this musical format and scene. He also felt that the DJ and the dance floor where very limiting targets for his musical output and that many of his musical ideas would not be compatible with it. As a consequence he founded his own record label "Rather Interesting" in 1994.
Bt this time, Pete Namlook had founded his "FAX Records" label and a new scene of musical styles appeared, such as "Ambient", "Jungle", "IDM" and others. Uwe Schmidt, apart from his monthly release on "Rather Interesting", continued recording with Tetsu Inoue ("Datacide"), Pete Namlook ("Jet Chamber") and Victor Sol ("+N") during 1994. That same year, the "Lassigue Bendthaus" albums "Render", "Render - U.S. Remixes", "Matter (second re-release)", "Cloned" (first re-release) and the 12-inch "Overflow" were released by the Belgian "KK Records", a label that would officially declare bankruptcy in 2000. Right after the release and re-release of the "Lassigue Bendthaus" albums, Schmidt began to work on the last album to be released under that project name called "Pop Artificielle".
1995-1998
In 1995, Uwe Schmidt collaborated with Bill Laswell and Tetsu Inoue on the FAX release "Second Nature" which was recorded at Laswell's studio in Brooklyn. Towards the end of 1995 another collaboration was concretized in Tokyo where Schmidt, Inoue and "Yellow Magic Orchestra" founder Haruomi Hosono recorded the first "HAT" album. "HAT" was released on Schmidt's "Rather Interesting" label and Haruomi Hosono's "Daisy World Discs". In an effort to escape the German winter, Schmidt spent the ends of 1994 and 1995 in Australia. A man with the same idea was the German music producer Bernd Friedmann whom he met in Melbourne in 1995.
Two more "+N" and "Datacide" albums were produced between 1993 and 1996 as well a one album each month on "Rather Interesting", all of them under different names which Schmidt later refers to as "working titles", "headlines" or simply "words that label a musical idea" rather than being "aliases" or "projects" in the traditional sense. Logically all works of Uwe Schmidt would later be summarized under just one name: "Atom™". With a lot of traveling, playing live shows world wide such as Love Parade in 1994 and Sonar Barcelona in 1994, as well as the stagnation to be felt in his european surroundings, Schmidt prepared for his departure from the old continent. Together with Dandy Jack, with whom he formed the project "Gon", two live shows were played in Santiago de Chile in March and October of 1996. Schmidt and the Chilean Dandy Jack, whom lived all his life in Germany and Spain, on their way back from Chile, decided to "try to relocate" to Santiago in 1997.
1996 finally sees Uwe Schmidt's "Señor Coconut" idea come to realization. After a couple of unsuccessful attempts during 1993-1995, still living in Frankfurt, he recorded 8 tracks in the later declared "Electrolatino" style. In a fever vision the name "Señor Coconut", placed on top of a coconut texture, a design that would become the artwork of the first "Señor Coconut" album appeared to him. Even though Schmidt tried to complete the album in Frankfurt, the preparations for his move to Chile prevent this plan. In March 1997, Schmidt together with his colleague Dandy Jack, moved to Santiago de Chile where they shared a rented house and installed their studios. During March and April he finished the "El Gran Baile" album, which would be the first work bearing the name of "Señor Coconut".
Uwe Schmidt continued releasing one album per month on his Rather Interesting label, though due to the difficulties of adaptation in Chile, decided to reduce his output. "Akashic Records", a Tokyo based label owned by Towa Tei, licensed "El Gran Baile" for the territory of Japan. Towa Tei further requested a remix by Uwe Schmidt. By the end of 1997 Uwe Schmidt and Dandy Jack's ways split and Uwe moved out of the shared house (while Dandy Jack moved back to Germany one year later).
During 1998, Tetsu Inoue and Haruomi Hosono visited Uwe in Santiago. The second "HAT" album was recorded. Towards the end of 1998, on his way back from Australia to Germany, Bernd Friedmann stopped over in Santiago and together with Uwe Schmidt they recorded their first "Flanger" album called "Templates". "Templates" was recorded in a programming "tour de force" of one week at Uwe's "Mira, Musica!" studio and released in 1999 on the british "Ninja Tunes" label.
1999-2003
"Lassigue Bendthaus'" last album, "Pop Artificielle" was finally finished and released in 1999. Due to a record company decision the album was released under the name of "LB", an abbreviation that stands for "Lassigue Bendthaus". "Pop Artificielle" caused quite a media reaction worldwide, due to the fact that the album contained electronic cover versions of famous Pop and Rock songs. "Pop Artificielle" stylistically may be considered as being one of the first productions that merged "Song" structures with sounds coming from a 90's techno background. Many refer to it as an initial point for the development of the "glitch" genre.
During the production process of "Pop Artificielle", the idea was born to cover the German electronic pioneers "Kraftwerk" in a yet to be defined style and as a different production. Meant to be rough sketches, Uwe Schmidt started to program a couple of Kraftwerk cover versions in traditional "cha cha cha" arrangement and decided to make this the second "Señor Coconut" album. Entertained by the result of the first programmings, he produced a total of 4 songs which he sent to some record companies. One of those companies, Towa Tei's "Akashic Records", immediately licensed the album, entitled "El Baile Alemán", releasing it upon completion of the production in 2000. European and North American record companies remained uninterested until triggered by the hype "El Baile Alemán" had caused in Japan. Soon a European, North American, Mexican, Hong Kong and a Russian release followed and the title "Showroom Dummies" was featured in the Mexican movie "Y tu Mamá también". Uwe Schmidt obtained official permission by Kraftwerk themselves to release "El Baile Alemán", though had to remove his version of "Radioactivity".
"Señor Coconut"s first european tour started the 19th of August 2000 in Germany. A U.S. headlining tour was scheduled, but had to be canceled because of visa problems of one of the 7 chilean musicians that accompanied Schmidt. In parallel to "Señor Coconut" project, Schmidt continued working on rather obscure ideas, some for Rather Interesting, some that were released on other labels, such as the "Geeez 'n Gosh" (2000 and 2002) albums which musically merge abstract electronic programmings and gospel vocals. "Geeez 'n' Gosh was released on the german "Mille Plateaux" label, which went bankrupt in 2004, leaving Schmidt as well as many fellow musicians, unpaid. The "Flanger" project was also continued, Friedman and Schmidt recording the "Inner Space/Outer Space" album in Santiago de Chile, which was then released in 2001.
2004-2008
Apart from his own productions and various collaborations he was solicited to remix artists such as Depeche Mode, Martin L. Gore, Air, Cesaria Evora, Juan Garcia Esquivel, Sktech Show, Towa Tei, Moreno Veloso, Merzbow and many others. An exclusive track entitled "White Car" was produced for and released on the Japanese anime movie, "Appleseed". Still, Uwe Schmidt spent most of the time touring with his "Señor Coconut" moniker, which had grown to a full 9-man orchestra. The "Señor Coconut" album "Yellow Fever" was released in 2006. The album contained cover versions of "Yellow Magic Orchestra" songs and became a very successful release in Japan. Amongst the "YMO" members themselves (Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi) a vast amount of guest musicians appeared on this album such as "Mouse on Mars", "Akufen", Jorge Gonzalez and others. "Yellow Fever!" was performed live at "Sonar Sound Tokyo" the same year, with both Haruomi Hosono and Yukihiro Takahashi performing each one song with the full orchestra on stage. The Señor Coconut album "Around the World" was released. It contains guest participations of Stephan Remmler ("Trio: DaDaDa") and the austrian crooner Louie Austen.
2009-Today
Uwe Schmidt's "Rather Interesting" label remains his largest unified body of work. To date, R.I. alone has over 46 full-length releases under numerous aliases and styles, of which most of them are written, recorded, mixed and mastered by Schmidt himself. Additionally, Schmidt handles all the label management and most all of the album artwork and design.
Remixes for Les Baxter, Perez Prado, Jamie Lidell, Plaid and Japanese superstar Kumi Koda have been continuing to garner attention for Uwe Schmidt. The collaboration "Surtek Collective" with Vicente Sanfuentes, invented yet another musical style called "aciton", a blend of "acid" and "reggaeton". "Surtek Collective" mainly tours Latin America, playing shows in Mexico, Venezuela, Brasil, Argentina and Chile.
The "Flanger" album "Sprituals" was released in 2005 on Bernd Friedmann's label "Nonplace" and the "HEADZ" label for the Japanese territory. A couple of years later songs from "Spirituals" got licensed for the Hungarian movie "Bibliotheque Pascal".
From 2007 until 2010, collaborating with Japanese composer Masaki Sakamoto, he produces the album "Alien Symphony" and the modified (online) version of it, called "Meteor Shower" which was released in 2010. The same year sees Atom™ acting a mini-role in the Mexican movie "Orol". By the end of 2010 a short South American tour is played with the "Sr. Coconut" project.
Atom™, in collaboration with Japanese musician Toshiyuki Yasuda produces a cover version of the brazilian Bossa Nova classic "Aguas de Março", pre-released on the compilation "Red Hot 2" in June 2011. The vocals on this song are performed by Fernanda Takai and Moreno Veloso.
A photo exhibition called "Winterreise" was unveiled in Tokyo in May 2011, accompanied by a"Playbutton" release. "Atom™" performances at the Lincoln Center in New York City, "Communikey Festival" in Boulder, the "Raster-Noton"/"Mute" festival at the Roundhouse in London, Labyrinth Festival in Japan plus many others.
Exclusive contributions to Ryuichi Sakamoto's "Kizunaworld" project and Towa Tei's "Mach" online platform.
A second "Winterreise" exhibition was held in Frankfurt (Germany) in October 2011 as well as the "Winterreise" soundtrack was released in May 2012 through "Raster-Noton". "atom-tm.com" was launched in July 2012 and serves as Atom™'s official news platform and archive. As a result of the "Winterreise" release, Atom™ received an invitation from Richie Hawtin, to play an ambient set at his club in Ibiza. The invitation was accepted and the then entitled "Alpha txt" ambient set created, which was then again performed, opening the "labyrinth" festival in September the same year. An initially abandoned album, which in 2005 carried the working title "Hard Disc Rock" (as a self-reference to the 1997 Atom™ title with the same name), re-surfaced as "HD", after some of the unfinished tracks raise interest at the Raster-Noton label. The album was finished during the second half of 2012, and mixed down during January 2013. The release of "HD" was then scheduled for March 2013. In the middle of the "HD" production, the terrible news of Pete Namlook's sudden death reach Atom. Months later, as a practical consequence of Namlook's passing away, the "Rather Interesting" label, which both Pete and Atom ran together since 1994, was shut down forever. Early 2013 see Atom™ playing various live shows, such as the double opening feature at Berlin's "CTM.13", where he first performs "Bauteile" with colleague Marc Behrens, and later on, together with "Material + Object", plays a 3 hour "Alpha txt" set. Extensive promotional activities for "HD", which, amongst other results, bring Atom™ on the front page of Germany's "De:bug" magazine and the preparation for the "HD" and "Ground Loop" live sets keep Atom™ busy during the first couple of months of 2013.
(written with kind help of Jahnavi Stenflo and Nathan Jantz, movin' levers!)
Atom™ (also known as Atom Heart and often confused with Señor Coconut, real name Uwe Schmidt) is a German composer, musician and record producer of electronic music. He is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.
1983-1990
Atom™ began making music in the early 1980's, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label "N.G. Medien", on which various tapes of international artists, including the Canadian Electronic Body Music act "Frontline Assembly" and his first musical work under the name "Lassigue Bendthaus", entitled "The Engineer's Love", were released. Soon after, he started to work on what would become his first official Lassigue Bendthaus record release, the album "Matter". The recordings and production for "Matter" began in 1986 and took almost 4 years, until the album finally came out in 1991 on the German "Parade Amoureuse" label. "Matter" as well as it's related singles and maxi-singles were recorded and mixed by Tobias Freund (Pink Elln). "Lassigue Bendthaus" until that point, was musically categorized as "Electronic Body Music" (EBM), even though part of the success of "Matter" may have been the fact that it didn't quite fit the category and already incorporated musical elements of the 1990's. Uwe Schmidt played his first live show as "Lassigue Bendthaus" as the opening act for the british group "Meat Beat Manifesto" at the Frankfurt "Batschkapp" in 1989.
1991-1994
Still living in Frankfurt, Uwe Schmidt was directly influenced by the emerging "pre-techno" movement of the late 1980's known as house and acid house. A sub-label of "Parade Amoureuse" released some of Schmidt's dance floor oriented productions under the alias "Atom Heart" which he adopted as his main artist name from then on. The early 1990's saw a series of 12-inch vinyl productions, mainly aimed at the dance floor, which were released under a variety of different project titles such as Atom Heart, Slot, etc.
In 1992 he was in charge of producing a series of tracks for the yet to be widely known DJs Pascal F.E.O.S. (Resistance D), Ata and Heiko M/S/O (Ongaku). Uwe Schmidt produced and co-wrote titles such as "Ongaku" and "Cosmic Love", which became successful prototypes for the appearing "Trance" movement. His activities as a music producer continued with the Austrian multimedia artists "Station Rose" whom had just moved from Vienna to Frankfurt in 1992. The 12-inch "Digit Eyes" was produced by Schmidt and Station Rose the same year. During the production of "Digit Eyes" he was introduced to Tetsu Inoue, a New York based japanese electronic music producer, with whom he founded the "Datacide" project in 1993.
Out of the "N.G. Medien" nucleus the record label "POD Communication" was founded in 1992. After the bankruptcy of "Parade Amoureuse" and its sub-labels in 1992, Schmidt moved his activities to the "POD Communication" label on which he released a series of 12-inches and albums under the guises of Atom Heart, Lisa Carbon and Atomu Shinzo. Also releasing on "POD Communication" was the German artist Pete Namlook whom Uwe Schmidt first met at the "POD" office in Frankfurt. Due to his releases on "Parade Amoureuse" and "POD Communication" and his successful production works, Schmidt had quickly obtained a reputation that let him play live concerts all around the world. Together with Tobias Freund, who by then still used the "Pink Elln" pseudonym, Schmidt played a live show at one of the first "rave" parties ever in Finland in 1992. The live concert was recorded and released on "Ongaku Music" in 1992 known as "Elektronikkaa - Atom Heart & Pink Elln live in Montreux and Helsinki" and became one of the first released live Techno live recordings.
A vast amount of productions were released worldwide due to the licensing activities of "POD Communication", "Ongaku Music" and a variety of other Frankfurt based record companies. After "Parade Amoureuse" closed down in 1992, his first album "Matter" was re-released by the Italian record label "Contempo Records" from Florence.
By 1993 Schmidt released the follow up album to "Matter" : Lassigue Bendthaus - "Cloned". "Cloned" was produced and licensed to "Contempo Records" together with a sample CD titled "Cloned:Binary" which contained the sounds used on the original "Cloned" release. "Contempo Records" went bankrupt in 1993.
Due to open payments by those labels, lack of a recording studio and unresolved recording contracts, Schmidt decided to take some months off and lived for half a year in Costa Rica (end of 1992 until early 1993). On the way back from Costa Rica, he stopped over in New York City, where he visited Tetsu Inoue to record the first "Datacide" album. Back home in Frankfurt, his interest in Latin Music started to grow and in fact the birth of the "Señor Coconut" moniker can be allocated somewhere around that time. Even though "Lassigue Bendthaus" had not brought him much luck until then, he decided to start recording his third album during 1993 entitled "Render". Because of the stagnation and inherent ignorance of the "Techno" movement that surrounded Schmidt's work, he soon began to distance from this musical format and scene. He also felt that the DJ and the dance floor where very limiting targets for his musical output and that many of his musical ideas would not be compatible with it. As a consequence he founded his own record label "Rather Interesting" in 1994.
Bt this time, Pete Namlook had founded his "FAX Records" label and a new scene of musical styles appeared, such as "Ambient", "Jungle", "IDM" and others. Uwe Schmidt, apart from his monthly release on "Rather Interesting", continued recording with Tetsu Inoue ("Datacide"), Pete Namlook ("Jet Chamber") and Victor Sol ("+N") during 1994. That same year, the "Lassigue Bendthaus" albums "Render", "Render - U.S. Remixes", "Matter (second re-release)", "Cloned" (first re-release) and the 12-inch "Overflow" were released by the Belgian "KK Records", a label that would officially declare bankruptcy in 2000. Right after the release and re-release of the "Lassigue Bendthaus" albums, Schmidt began to work on the last album to be released under that project name called "Pop Artificielle".
1995-1998
In 1995, Uwe Schmidt collaborated with Bill Laswell and Tetsu Inoue on the FAX release "Second Nature" which was recorded at Laswell's studio in Brooklyn. Towards the end of 1995 another collaboration was concretized in Tokyo where Schmidt, Inoue and "Yellow Magic Orchestra" founder Haruomi Hosono recorded the first "HAT" album. "HAT" was released on Schmidt's "Rather Interesting" label and Haruomi Hosono's "Daisy World Discs". In an effort to escape the German winter, Schmidt spent the ends of 1994 and 1995 in Australia. A man with the same idea was the German music producer Bernd Friedmann whom he met in Melbourne in 1995.
Two more "+N" and "Datacide" albums were produced between 1993 and 1996 as well a one album each month on "Rather Interesting", all of them under different names which Schmidt later refers to as "working titles", "headlines" or simply "words that label a musical idea" rather than being "aliases" or "projects" in the traditional sense. Logically all works of Uwe Schmidt would later be summarized under just one name: "Atom™". With a lot of traveling, playing live shows world wide such as Love Parade in 1994 and Sonar Barcelona in 1994, as well as the stagnation to be felt in his european surroundings, Schmidt prepared for his departure from the old continent. Together with Dandy Jack, with whom he formed the project "Gon", two live shows were played in Santiago de Chile in March and October of 1996. Schmidt and the Chilean Dandy Jack, whom lived all his life in Germany and Spain, on their way back from Chile, decided to "try to relocate" to Santiago in 1997.
1996 finally sees Uwe Schmidt's "Señor Coconut" idea come to realization. After a couple of unsuccessful attempts during 1993-1995, still living in Frankfurt, he recorded 8 tracks in the later declared "Electrolatino" style. In a fever vision the name "Señor Coconut", placed on top of a coconut texture, a design that would become the artwork of the first "Señor Coconut" album appeared to him. Even though Schmidt tried to complete the album in Frankfurt, the preparations for his move to Chile prevent this plan. In March 1997, Schmidt together with his colleague Dandy Jack, moved to Santiago de Chile where they shared a rented house and installed their studios. During March and April he finished the "El Gran Baile" album, which would be the first work bearing the name of "Señor Coconut".
Uwe Schmidt continued releasing one album per month on his Rather Interesting label, though due to the difficulties of adaptation in Chile, decided to reduce his output. "Akashic Records", a Tokyo based label owned by Towa Tei, licensed "El Gran Baile" for the territory of Japan. Towa Tei further requested a remix by Uwe Schmidt. By the end of 1997 Uwe Schmidt and Dandy Jack's ways split and Uwe moved out of the shared house (while Dandy Jack moved back to Germany one year later).
During 1998, Tetsu Inoue and Haruomi Hosono visited Uwe in Santiago. The second "HAT" album was recorded. Towards the end of 1998, on his way back from Australia to Germany, Bernd Friedmann stopped over in Santiago and together with Uwe Schmidt they recorded their first "Flanger" album called "Templates". "Templates" was recorded in a programming "tour de force" of one week at Uwe's "Mira, Musica!" studio and released in 1999 on the british "Ninja Tunes" label.
1999-2003
"Lassigue Bendthaus'" last album, "Pop Artificielle" was finally finished and released in 1999. Due to a record company decision the album was released under the name of "LB", an abbreviation that stands for "Lassigue Bendthaus". "Pop Artificielle" caused quite a media reaction worldwide, due to the fact that the album contained electronic cover versions of famous Pop and Rock songs. "Pop Artificielle" stylistically may be considered as being one of the first productions that merged "Song" structures with sounds coming from a 90's techno background. Many refer to it as an initial point for the development of the "glitch" genre.
During the production process of "Pop Artificielle", the idea was born to cover the German electronic pioneers "Kraftwerk" in a yet to be defined style and as a different production. Meant to be rough sketches, Uwe Schmidt started to program a couple of Kraftwerk cover versions in traditional "cha cha cha" arrangement and decided to make this the second "Señor Coconut" album. Entertained by the result of the first programmings, he produced a total of 4 songs which he sent to some record companies. One of those companies, Towa Tei's "Akashic Records", immediately licensed the album, entitled "El Baile Alemán", releasing it upon completion of the production in 2000. European and North American record companies remained uninterested until triggered by the hype "El Baile Alemán" had caused in Japan. Soon a European, North American, Mexican, Hong Kong and a Russian release followed and the title "Showroom Dummies" was featured in the Mexican movie "Y tu Mamá también". Uwe Schmidt obtained official permission by Kraftwerk themselves to release "El Baile Alemán", though had to remove his version of "Radioactivity".
"Señor Coconut"s first european tour started the 19th of August 2000 in Germany. A U.S. headlining tour was scheduled, but had to be canceled because of visa problems of one of the 7 chilean musicians that accompanied Schmidt. In parallel to "Señor Coconut" project, Schmidt continued working on rather obscure ideas, some for Rather Interesting, some that were released on other labels, such as the "Geeez 'n Gosh" (2000 and 2002) albums which musically merge abstract electronic programmings and gospel vocals. "Geeez 'n' Gosh was released on the german "Mille Plateaux" label, which went bankrupt in 2004, leaving Schmidt as well as many fellow musicians, unpaid. The "Flanger" project was also continued, Friedman and Schmidt recording the "Inner Space/Outer Space" album in Santiago de Chile, which was then released in 2001.
2004-2008
Apart from his own productions and various collaborations he was solicited to remix artists such as Depeche Mode, Martin L. Gore, Air, Cesaria Evora, Juan Garcia Esquivel, Sktech Show, Towa Tei, Moreno Veloso, Merzbow and many others. An exclusive track entitled "White Car" was produced for and released on the Japanese anime movie, "Appleseed". Still, Uwe Schmidt spent most of the time touring with his "Señor Coconut" moniker, which had grown to a full 9-man orchestra. The "Señor Coconut" album "Yellow Fever" was released in 2006. The album contained cover versions of "Yellow Magic Orchestra" songs and became a very successful release in Japan. Amongst the "YMO" members themselves (Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi) a vast amount of guest musicians appeared on this album such as "Mouse on Mars", "Akufen", Jorge Gonzalez and others. "Yellow Fever!" was performed live at "Sonar Sound Tokyo" the same year, with both Haruomi Hosono and Yukihiro Takahashi performing each one song with the full orchestra on stage. The Señor Coconut album "Around the World" was released. It contains guest participations of Stephan Remmler ("Trio: DaDaDa") and the austrian crooner Louie Austen.
2009-Today
Uwe Schmidt's "Rather Interesting" label remains his largest unified body of work. To date, R.I. alone has over 46 full-length releases under numerous aliases and styles, of which most of them are written, recorded, mixed and mastered by Schmidt himself. Additionally, Schmidt handles all the label management and most all of the album artwork and design.
Remixes for Les Baxter, Perez Prado, Jamie Lidell, Plaid and Japanese superstar Kumi Koda have been continuing to garner attention for Uwe Schmidt. The collaboration "Surtek Collective" with Vicente Sanfuentes, invented yet another musical style called "aciton", a blend of "acid" and "reggaeton". "Surtek Collective" mainly tours Latin America, playing shows in Mexico, Venezuela, Brasil, Argentina and Chile.
The "Flanger" album "Sprituals" was released in 2005 on Bernd Friedmann's label "Nonplace" and the "HEADZ" label for the Japanese territory. A couple of years later songs from "Spirituals" got licensed for the Hungarian movie "Bibliotheque Pascal".
From 2007 until 2010, collaborating with Japanese composer Masaki Sakamoto, he produces the album "Alien Symphony" and the modified (online) version of it, called "Meteor Shower" which was released in 2010. The same year sees Atom™ acting a mini-role in the Mexican movie "Orol". By the end of 2010 a short South American tour is played with the "Sr. Coconut" project.
Atom™, in collaboration with Japanese musician Toshiyuki Yasuda produces a cover version of the brazilian Bossa Nova classic "Aguas de Março", pre-released on the compilation "Red Hot 2" in June 2011. The vocals on this song are performed by Fernanda Takai and Moreno Veloso.
A photo exhibition called "Winterreise" was unveiled in Tokyo in May 2011, accompanied by a"Playbutton" release. "Atom™" performances at the Lincoln Center in New York City, "Communikey Festival" in Boulder, the "Raster-Noton"/"Mute" festival at the Roundhouse in London, Labyrinth Festival in Japan plus many others.
Exclusive contributions to Ryuichi Sakamoto's "Kizunaworld" project and Towa Tei's "Mach" online platform.
A second "Winterreise" exhibition was held in Frankfurt (Germany) in October 2011 as well as the "Winterreise" soundtrack was released in May 2012 through "Raster-Noton". "atom-tm.com" was launched in July 2012 and serves as Atom™'s official news platform and archive. As a result of the "Winterreise" release, Atom™ received an invitation from Richie Hawtin, to play an ambient set at his club in Ibiza. The invitation was accepted and the then entitled "Alpha txt" ambient set created, which was then again performed, opening the "labyrinth" festival in September the same year. An initially abandoned album, which in 2005 carried the working title "Hard Disc Rock" (as a self-reference to the 1997 Atom™ title with the same name), re-surfaced as "HD", after some of the unfinished tracks raise interest at the Raster-Noton label. The album was finished during the second half of 2012, and mixed down during January 2013. The release of "HD" was then scheduled for March 2013. In the middle of the "HD" production, the terrible news of Pete Namlook's sudden death reach Atom. Months later, as a practical consequence of Namlook's passing away, the "Rather Interesting" label, which both Pete and Atom ran together since 1994, was shut down forever. Early 2013 see Atom™ playing various live shows, such as the double opening feature at Berlin's "CTM.13", where he first performs "Bauteile" with colleague Marc Behrens, and later on, together with "Material + Object", plays a 3 hour "Alpha txt" set. Extensive promotional activities for "HD", which, amongst other results, bring Atom™ on the front page of Germany's "De:bug" magazine and the preparation for the "HD" and "Ground Loop" live sets keep Atom™ busy during the first couple of months of 2013.
(written with kind help of Jahnavi Stenflo and Nathan Jantz, movin' levers!)
2023-07-25
12"
WW EXCL
House
house/ techno
TERRENCE PARKER
The Melodies EP
RAWAX MOTOR CITY EDITION / RMCE031
RAWAX proudly welcomes Mr. Terrence Parker to the artist Family!
We're very happy to present you the Legend from Detroit on our Motor City Edition!
Highy recommended!
Direct order: https://dbh-music.com/shop/release_view/16299
teaser: https://soundcloud.com/dbh-music/rmce-031-terrence-perker-the-melodies-ep
Artist: Terrence Parker
Title: The Melodies EP
Label: RAWAX MOTOR CITY EDITION
Genre: House
Format: 12"
Cat: RMCE031
Rel. date: 20.04.2026
Tracklisting:
A. Praise Melody Break
B1. Optimistically
B2. The Banquet
Worldwide exclusive distributed by www.dbh-music.com
We're very happy to present you the Legend from Detroit on our Motor City Edition!
Highy recommended!
Direct order: https://dbh-music.com/shop/release_view/16299
teaser: https://soundcloud.com/dbh-music/rmce-031-terrence-perker-the-melodies-ep
Artist: Terrence Parker
Title: The Melodies EP
Label: RAWAX MOTOR CITY EDITION
Genre: House
Format: 12"
Cat: RMCE031
Rel. date: 20.04.2026
Tracklisting:
A. Praise Melody Break
B1. Optimistically
B2. The Banquet
Worldwide exclusive distributed by www.dbh-music.com
2026-05-04
12"
WW EXCL
House
Reggie Dokes
Black Lives Matter EP
RAWAX MOTOR CITY EDITION / RMCE005
RAWAX proudly welcomes Mr. Reggie Dokes to the Family! We're happy to present another great artist from Detroit on our fifth Motor City Edition.
Artist: Reggie Dokes
Title: Black Lives Matter EP
Label: RAWAX
Genre: House
Format: 12"
Release date: March 2017
Cat: RMCE005
Tracklisting:
A1. Hallelujah
A2. Black Lives Matter
B1. Spiritual Connection
B2. Spirit Shaker
Soundcloud teaser:
https://soundcloud.com/dbh-music/rmce005-reggie-dokes-black-lives-matter-ep
Biography Reggie Dokes:
Originally from Detroit, born and raised, this Atlanta transplant, has been a DJ since his youth. From backyard and basement parites as a youth, to the small club scene of metro Detroit, Reggie Dokes eventually became a sought after DJ in the city. Fast forwarding to 2001, is when he created his label Psychostasia Recordings. Although the label has been dormant for several years, 2016 finds the label back in full swing with distribution from Clone Records (Rotterdam). His sound is eclectic and soulful, and over the years as a producer of deep house, techno, tech house and downtempo, he has managed to release singles and EPs with various underground labels from the U.S. to Europe and Asia. Stay tuned for inspired and positivie vibrations from the DJ, producer and label head, Reggie Dokes.
W+P by Reggie Dokes
Matering by O.Lieb @ LH Audio
Cut by W.J. Henze @ LH Audio
Worldwide distributed by www.dbh-music.com
Artist: Reggie Dokes
Title: Black Lives Matter EP
Label: RAWAX
Genre: House
Format: 12"
Release date: March 2017
Cat: RMCE005
Tracklisting:
A1. Hallelujah
A2. Black Lives Matter
B1. Spiritual Connection
B2. Spirit Shaker
Soundcloud teaser:
https://soundcloud.com/dbh-music/rmce005-reggie-dokes-black-lives-matter-ep
Biography Reggie Dokes:
Originally from Detroit, born and raised, this Atlanta transplant, has been a DJ since his youth. From backyard and basement parites as a youth, to the small club scene of metro Detroit, Reggie Dokes eventually became a sought after DJ in the city. Fast forwarding to 2001, is when he created his label Psychostasia Recordings. Although the label has been dormant for several years, 2016 finds the label back in full swing with distribution from Clone Records (Rotterdam). His sound is eclectic and soulful, and over the years as a producer of deep house, techno, tech house and downtempo, he has managed to release singles and EPs with various underground labels from the U.S. to Europe and Asia. Stay tuned for inspired and positivie vibrations from the DJ, producer and label head, Reggie Dokes.
W+P by Reggie Dokes
Matering by O.Lieb @ LH Audio
Cut by W.J. Henze @ LH Audio
Worldwide distributed by www.dbh-music.com
2017-05-15
12"
WW EXCL
House
House
Serenace
The Flying Guillotine 2
Shaw Cuts / SC020
Release Title: The Flying Guillotine 2
Artistname: Serenace
Labelname: Shaw Cuts
Catalog Number: SC020
Releasedate: 29/09/2023
Tracklisting:
A1: Current
A2: Aiming From A Distance
B1: Test 21
B2: Current (Farron Remix)
Infotext:
ãThe Flying Guillotine 2Ò is the bloody sequel to SerenaceÕs first appearance on Shaw Cuts in 2019, continuing the head-lopping violence with a group of freedom fighters lead by the heroic Ma Teng battling against the evil despot Emperor Yung and his reign of terror.
Teng has developed a protective device, similar to a spiky metal umbrella, that allows him to defend against the deadly flying guillotine attacks of the violent regime. ãCurrentÒ, its bombastic drum patterns, razor-sharp synth waves and vicious vibe strengthens the rebels to resist the brutal assaults.
But the Emperor immediately reacts, creating a double flying guillotine to counter Ma TengÕs iron umbrella and the rebel union is left defenseless again. ãAiming From A DistanceÒ, a vivid breakbeat cut combining rolling percussion, arpeggiated synth chords and sirens from hell, raises the rebels' hopes to give them another answer.
Secret insurgent Na Lan infiltrates the EmperorÕs inner circle by gaining his trust with a group of female warriors whom he allows to train with the flying guillotine palace guards. However, Na Lan only wants to steal the plans of the improved weapon and deliver it to the rebel squad, in order to devise another counteracting force. With the crisp bassline and the energy-filled breaks of ãTest 21Ò, the rebels can gain an insight into the elaborated guillotine and find a possible way to defeat it.
FarronÕs profound techno version of ãCurrentÒ brings in the necessary tension for the final showdown. The improved double flying guillotine VS a new secret defensive system. Will the rebels be able to team up and defeat the tyrant once and for all? No matter what happens, the saga continues.
Artistname: Serenace
Labelname: Shaw Cuts
Catalog Number: SC020
Releasedate: 29/09/2023
Tracklisting:
A1: Current
A2: Aiming From A Distance
B1: Test 21
B2: Current (Farron Remix)
Infotext:
ãThe Flying Guillotine 2Ò is the bloody sequel to SerenaceÕs first appearance on Shaw Cuts in 2019, continuing the head-lopping violence with a group of freedom fighters lead by the heroic Ma Teng battling against the evil despot Emperor Yung and his reign of terror.
Teng has developed a protective device, similar to a spiky metal umbrella, that allows him to defend against the deadly flying guillotine attacks of the violent regime. ãCurrentÒ, its bombastic drum patterns, razor-sharp synth waves and vicious vibe strengthens the rebels to resist the brutal assaults.
But the Emperor immediately reacts, creating a double flying guillotine to counter Ma TengÕs iron umbrella and the rebel union is left defenseless again. ãAiming From A DistanceÒ, a vivid breakbeat cut combining rolling percussion, arpeggiated synth chords and sirens from hell, raises the rebels' hopes to give them another answer.
Secret insurgent Na Lan infiltrates the EmperorÕs inner circle by gaining his trust with a group of female warriors whom he allows to train with the flying guillotine palace guards. However, Na Lan only wants to steal the plans of the improved weapon and deliver it to the rebel squad, in order to devise another counteracting force. With the crisp bassline and the energy-filled breaks of ãTest 21Ò, the rebels can gain an insight into the elaborated guillotine and find a possible way to defeat it.
FarronÕs profound techno version of ãCurrentÒ brings in the necessary tension for the final showdown. The improved double flying guillotine VS a new secret defensive system. Will the rebels be able to team up and defeat the tyrant once and for all? No matter what happens, the saga continues.
2025-04-14
12"
WW EXCL
Techno - Broken
Lazarus
The Rescue
Shaw Cuts / SC015
Release Title: The Rescue
Artistname: Lazarus
Labelname: Shaw Cuts
Catalog Number: SC015
Releasedate: 17/09/2021
Tracklisting:
A1: Lazarus - Harbinger
A2: Lazarus - Light The Torch
B1: Lazarus - Sinus Node
B2: Lazarus - Cyto
Infotext:
Lazarus is back on Shaw Cuts with ÓThe RescueÒ, a swashbuckling tale of sheer heroism, revolutionary sentiment and resistance in the face of oppression.
Following the fall of the Sung Dynasty, minister Wen, who pens a patriotic song to inspire the nation, is imprisoned by the conquering Mongols. Sung patriots plot to free the lord from the Celestial Prison by having themselves arrested and a spy release them once inside. But the prison general sets a deadly trap. ãHarbingerÒ, its heavy drums, mystic pads and untamed spirit perfectly describes the menacing scene inside the prison.
With the help of free-spirited hero Le Heru, patriot Bai Yaerh escapes the carnage. With more fighters in tow, he returns to the prison with a new plan to tunnel underground. Yet this too is a cunning trap that forces Le Heru to cover up the heroesÕ escape. The intense buildup of ãLight The TorchÒ with its echoing chords and noisy elements, invigorates and drives the pack forward.
After convincing a Mongol-raised guard captain to join them, the patriots make a last attempt to save lord Wen by posing as Mongols and slipping into the jail. They finally reach Wen who has starved himself to death. The shifting drums and emotional synths of ãSinus NodeÒ sets the serene tone needed to compensate for the loss, signaling a promising new dawn.
The legion finds hope while battling out of the prison to preserve the moving song the minister composed before his demise. ãCytoÒ and its melancholic mood filled with revolving breaks, powerful arpeggios and shimmering drums, leads to a shocking and disturbing end that is hard to handleÉ
Artistname: Lazarus
Labelname: Shaw Cuts
Catalog Number: SC015
Releasedate: 17/09/2021
Tracklisting:
A1: Lazarus - Harbinger
A2: Lazarus - Light The Torch
B1: Lazarus - Sinus Node
B2: Lazarus - Cyto
Infotext:
Lazarus is back on Shaw Cuts with ÓThe RescueÒ, a swashbuckling tale of sheer heroism, revolutionary sentiment and resistance in the face of oppression.
Following the fall of the Sung Dynasty, minister Wen, who pens a patriotic song to inspire the nation, is imprisoned by the conquering Mongols. Sung patriots plot to free the lord from the Celestial Prison by having themselves arrested and a spy release them once inside. But the prison general sets a deadly trap. ãHarbingerÒ, its heavy drums, mystic pads and untamed spirit perfectly describes the menacing scene inside the prison.
With the help of free-spirited hero Le Heru, patriot Bai Yaerh escapes the carnage. With more fighters in tow, he returns to the prison with a new plan to tunnel underground. Yet this too is a cunning trap that forces Le Heru to cover up the heroesÕ escape. The intense buildup of ãLight The TorchÒ with its echoing chords and noisy elements, invigorates and drives the pack forward.
After convincing a Mongol-raised guard captain to join them, the patriots make a last attempt to save lord Wen by posing as Mongols and slipping into the jail. They finally reach Wen who has starved himself to death. The shifting drums and emotional synths of ãSinus NodeÒ sets the serene tone needed to compensate for the loss, signaling a promising new dawn.
The legion finds hope while battling out of the prison to preserve the moving song the minister composed before his demise. ãCytoÒ and its melancholic mood filled with revolving breaks, powerful arpeggios and shimmering drums, leads to a shocking and disturbing end that is hard to handleÉ
2025-04-14
12"
WW EXCL
Techno - Broken
Livio & Roby
Simbio
rawax / RWX03
RAWAX proudly welcomes Livio & Roby to the Family!
We are delighted to present you "Simbio" as aperfect debut EP.
More to come!
RWX03 - Livio & Roby - Simbio (RAWAX)
Artists: Livio & Roby
Title: Simbio
Label: RAWAX
Genre: Minimal Techno
Format: 12"
Cat: RWX03
Release date: November 2018
Tracklisting:
A.1 Simbio
A2. VHL
B1. Sang Erete
B2. Valhalla
Worldwide exclusive distributed by www.dbh-music.com
Info:
Deep in the Romanian wilderness, beyond the foggy wastelands of the metropolitan district, lies the base of two musical wizards who invoke the spirit of the past to transmit a very modern interpretation of their nation's musical traditions.
Deep in the Romanian wilderness, beyond the foggy wastelands and the drab greyness of the metropolitan district you can find the base of two musical wizards who invoke the spirit of the past to transmit a very modern interpretation of their nation's musical traditions.
They are known as Livio & Roby and they have been putting their own supernatural twist on house and techno for the past 10 years. Their connection with the global electronic music movement has been channeled via highly influential outlets such as Desolat, VIVa, Saved and Fumakilla. While their physical presence has been felt in a myriad of venues from Buenos Aires to Detroit, and across much of Europe. From dynamic DJ sets and innovative live performances to album projects and a constant flow of cutting edge, dancefloor-based productions the duo remain one of their nation's leading lights in the field.
The tribal rhythms, inspired by Romania's colourful history, penetrate your psyche: the organic instrumentation lifts your spirit; flutes and vocals combine with delicate chimes, while groovy basslines and solemn melodies create a magical concoction. It's a formula that caught the ears of their early supporters, Steve Lawler signed them up to VIVa Music and Berlin stalwart Woody introduced them to the city's music scene via his highly-respected Fumakilla label.
These early connections helped to spread Livio & Roby's unique blueprint throughout Europe, enchanting more and more influential figures. Next to fall under their spell was Loco Dice, who signed them to his Artist Alife agency and promptly released the seminal 'Mistique' – a track created in collaboration with the third member of this spellbinding outfit, George G, with whom they form Premiesku. Just like their unique partnership, Premiesku operates within its own confines – their live show is built around hardware that has been customised and reconfigured for their own use, without any computers involved. This gives them total freedom in their performances and allows them to express their own distinctive style.
Thanks to the consistently high quality of their output, Livio & Roby have been in constant demand around the globe, sharing the spirit of Romania with the clientele of clubs and festivals across North and South America, Europe and further afield. Today, their endless travels continue, as does their entrancing musical output, from EPs with labels such as Vakant, One Records and Cecille through to their debut Premiesku album, 'Indirect', which came via Desolat. Moving forward in their career saw further adventures around the planet: Premiesku reformed with new music and hit the road with their dazzling live act. Livio & Roby released their own concept album, titled 'Phantom Circle' on Desolat. The duo co-produced each track on Phantom Circle with one of ten different artists: Enzo Siragusa, Martin Buttrich, Guti, Julian Perez, Hector, Ryan Crosson, Cesar Merveille, Andrea Oliva and Premiesku. The album received wide media coverage, adoration from fans and praise from various music press outlets. Livio & Roby are only building on their momentum. Forthcoming releases on Vatos Locos and Mulen Records will bring their unique and evolving sound to more and more ears. With shows at legendary venues such as Printworks London already under their belts this year the story continues as the duo continue to innovate and carry on the legacy of their ancestors.
We are delighted to present you "Simbio" as aperfect debut EP.
More to come!
RWX03 - Livio & Roby - Simbio (RAWAX)
Artists: Livio & Roby
Title: Simbio
Label: RAWAX
Genre: Minimal Techno
Format: 12"
Cat: RWX03
Release date: November 2018
Tracklisting:
A.1 Simbio
A2. VHL
B1. Sang Erete
B2. Valhalla
Worldwide exclusive distributed by www.dbh-music.com
Info:
Deep in the Romanian wilderness, beyond the foggy wastelands of the metropolitan district, lies the base of two musical wizards who invoke the spirit of the past to transmit a very modern interpretation of their nation's musical traditions.
Deep in the Romanian wilderness, beyond the foggy wastelands and the drab greyness of the metropolitan district you can find the base of two musical wizards who invoke the spirit of the past to transmit a very modern interpretation of their nation's musical traditions.
They are known as Livio & Roby and they have been putting their own supernatural twist on house and techno for the past 10 years. Their connection with the global electronic music movement has been channeled via highly influential outlets such as Desolat, VIVa, Saved and Fumakilla. While their physical presence has been felt in a myriad of venues from Buenos Aires to Detroit, and across much of Europe. From dynamic DJ sets and innovative live performances to album projects and a constant flow of cutting edge, dancefloor-based productions the duo remain one of their nation's leading lights in the field.
The tribal rhythms, inspired by Romania's colourful history, penetrate your psyche: the organic instrumentation lifts your spirit; flutes and vocals combine with delicate chimes, while groovy basslines and solemn melodies create a magical concoction. It's a formula that caught the ears of their early supporters, Steve Lawler signed them up to VIVa Music and Berlin stalwart Woody introduced them to the city's music scene via his highly-respected Fumakilla label.
These early connections helped to spread Livio & Roby's unique blueprint throughout Europe, enchanting more and more influential figures. Next to fall under their spell was Loco Dice, who signed them to his Artist Alife agency and promptly released the seminal 'Mistique' – a track created in collaboration with the third member of this spellbinding outfit, George G, with whom they form Premiesku. Just like their unique partnership, Premiesku operates within its own confines – their live show is built around hardware that has been customised and reconfigured for their own use, without any computers involved. This gives them total freedom in their performances and allows them to express their own distinctive style.
Thanks to the consistently high quality of their output, Livio & Roby have been in constant demand around the globe, sharing the spirit of Romania with the clientele of clubs and festivals across North and South America, Europe and further afield. Today, their endless travels continue, as does their entrancing musical output, from EPs with labels such as Vakant, One Records and Cecille through to their debut Premiesku album, 'Indirect', which came via Desolat. Moving forward in their career saw further adventures around the planet: Premiesku reformed with new music and hit the road with their dazzling live act. Livio & Roby released their own concept album, titled 'Phantom Circle' on Desolat. The duo co-produced each track on Phantom Circle with one of ten different artists: Enzo Siragusa, Martin Buttrich, Guti, Julian Perez, Hector, Ryan Crosson, Cesar Merveille, Andrea Oliva and Premiesku. The album received wide media coverage, adoration from fans and praise from various music press outlets. Livio & Roby are only building on their momentum. Forthcoming releases on Vatos Locos and Mulen Records will bring their unique and evolving sound to more and more ears. With shows at legendary venues such as Printworks London already under their belts this year the story continues as the duo continue to innovate and carry on the legacy of their ancestors.
2019-01-21
12"
WW EXCL
Techno - Minimal
Minimal Techno
Manuel Parravicini
Asteroide EP
NG Trax / NGT013
NGT013
Manuel Parravicini
Asteroide EP
A1. Dala Luna
B1. Buongiorno
B2. Asteroide
From Milano, Italy Manuel Parravicini is a young upcoming artist getting most of his
Inspirations from the Minimal electronic scenes and the likes of Ricardo Villalobos for his first ever release here with us at NG TRAX.
Manuel Parravicini was born in Germany but raised in Italy.
He started DJing and following electronic musical scene years ago.
First in local clubs, then as a resident in Amnesia Milano.
Later on he created his own events under the name “Jimmy&Grace” in different clubs around Milan, bringing many international underground djs.
He places his sound between house grooves and minimalistic techno. He is playing vinyl only dj set and releasing his first EP on NG TRAX soon this year.
Manuel Parravicini
Asteroide EP
A1. Dala Luna
B1. Buongiorno
B2. Asteroide
From Milano, Italy Manuel Parravicini is a young upcoming artist getting most of his
Inspirations from the Minimal electronic scenes and the likes of Ricardo Villalobos for his first ever release here with us at NG TRAX.
Manuel Parravicini was born in Germany but raised in Italy.
He started DJing and following electronic musical scene years ago.
First in local clubs, then as a resident in Amnesia Milano.
Later on he created his own events under the name “Jimmy&Grace” in different clubs around Milan, bringing many international underground djs.
He places his sound between house grooves and minimalistic techno. He is playing vinyl only dj set and releasing his first EP on NG TRAX soon this year.
2023-11-13
12"
WW EXCL
Techno - Minimal
Raise & Sgt. Risk
Sport9000
Sport / Sport9000
Label: Sport
Release: Sport9000
Artists: Raise, Sgt. Risk
Tracks:
A – DJ Raise & Sgt. Risk – Putney Acid feat. svmthoX
B – Sgt. Risk – smOKe
Sport 9000
A – DJ Raise & Sgt. Risk – Putney Acid feat. svmthox
Named after a delicious and rather skittish old synth that provided us with the monstrous bassline on this, “Putney Acid” starts off mellow enough before the beast rears its head and tears along a swinging, syncopated rhythm and well dosed injections of bubbling acid. It’s all counterbalanced by snippets of svmthoX’ bright voice, filling the whole upper frequency space of the tune. One for the heads, no doubt.
B – Sgt. Risk – smOKe
Clocking in at 160+, “smOKe” starts off equally subdued as its flipside, powered by interlocking layers of muted drums and a hollow-ish sub. the only bright things in this tune are the odd banging snare, and crunched up snippets of breaks pushing to the fore. for those deep and dark introspective moments on the floor.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
Release: Sport9000
Artists: Raise, Sgt. Risk
Tracks:
A – DJ Raise & Sgt. Risk – Putney Acid feat. svmthoX
B – Sgt. Risk – smOKe
Sport 9000
A – DJ Raise & Sgt. Risk – Putney Acid feat. svmthox
Named after a delicious and rather skittish old synth that provided us with the monstrous bassline on this, “Putney Acid” starts off mellow enough before the beast rears its head and tears along a swinging, syncopated rhythm and well dosed injections of bubbling acid. It’s all counterbalanced by snippets of svmthoX’ bright voice, filling the whole upper frequency space of the tune. One for the heads, no doubt.
B – Sgt. Risk – smOKe
Clocking in at 160+, “smOKe” starts off equally subdued as its flipside, powered by interlocking layers of muted drums and a hollow-ish sub. the only bright things in this tune are the odd banging snare, and crunched up snippets of breaks pushing to the fore. for those deep and dark introspective moments on the floor.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
2023-09-12
12"
Miscellaneous - Bass/Club
Dubstep techno
Raise & Sgt. Risk
Sport8000
Sport / Sport8000
Label: Sport
Release: Sport8000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise & Sgt. Risk – Scrollers
B – Raise & Sgt. Risk – Circuit Breaker
Sport 8000
A – Raise & Sgt. Risk – Scrollers
Circuit Breaker
Frantic breakbeats, epic strings and a booming sub kick off this percussive belter. Tension decreases and rises through a breakdown, before things get switched up with a more percussive bassline and various little elements and fx. One to tease out that last bit of energy in the late hours..
B – Raise & Sgt. Risk – Circuit Breaker
“Scrollers” is a mad, industrial, syncopated, 140 bpm, not-quite-garage slapper. Built from messy, undulating percussion loops and filtering snares, lots of noise and warping bass interludes, it’s a hectic piece of tuneage that unexpectedly delivers a sliver of respite at the very end. Picture scrolling through your endless feed of doom and nonsense until you chance upon than one clip that reinstalls a bit of hope, giving you the resolve to finally put your damn phone away and actually do something.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
Release: Sport8000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise & Sgt. Risk – Scrollers
B – Raise & Sgt. Risk – Circuit Breaker
Sport 8000
A – Raise & Sgt. Risk – Scrollers
Circuit Breaker
Frantic breakbeats, epic strings and a booming sub kick off this percussive belter. Tension decreases and rises through a breakdown, before things get switched up with a more percussive bassline and various little elements and fx. One to tease out that last bit of energy in the late hours..
B – Raise & Sgt. Risk – Circuit Breaker
“Scrollers” is a mad, industrial, syncopated, 140 bpm, not-quite-garage slapper. Built from messy, undulating percussion loops and filtering snares, lots of noise and warping bass interludes, it’s a hectic piece of tuneage that unexpectedly delivers a sliver of respite at the very end. Picture scrolling through your endless feed of doom and nonsense until you chance upon than one clip that reinstalls a bit of hope, giving you the resolve to finally put your damn phone away and actually do something.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
2023-07-17
12"
WW EXCL
Techno
Dubstep UK Bass
Raise & Sgt. Risk
Sport7000
Sport / Sport7000
Label: Sport
Release: Sport7000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise – Wookey Pinger
B – Sgt. Risk – U Everything
Sport 7000
A – Raise – Wookey Pinger
This one’s going for the jugular with a marching groove, eerie pads and Raise’s disgustingly catchy bass hook that hits on just the right side of donk. Stick some roughed up samples from dad’s jazz collection in the drop and you have yourself a straightforward rave tool. Has caused scenes and mild debauchery when played out.
B - Sgt. Risk – U Everything
Originally made in one sitting in 2014, we polished this one up as a similarly tool-ish flip to above mentioned slab of floor functionality. A distorted 4/4 kick, various loops of industrial origin and a deranged diva loop lead to the midsection, which introduces acidic subs and relentless stabs before it all comes crashing home for the rollout.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
Release: Sport7000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise – Wookey Pinger
B – Sgt. Risk – U Everything
Sport 7000
A – Raise – Wookey Pinger
This one’s going for the jugular with a marching groove, eerie pads and Raise’s disgustingly catchy bass hook that hits on just the right side of donk. Stick some roughed up samples from dad’s jazz collection in the drop and you have yourself a straightforward rave tool. Has caused scenes and mild debauchery when played out.
B - Sgt. Risk – U Everything
Originally made in one sitting in 2014, we polished this one up as a similarly tool-ish flip to above mentioned slab of floor functionality. A distorted 4/4 kick, various loops of industrial origin and a deranged diva loop lead to the midsection, which introduces acidic subs and relentless stabs before it all comes crashing home for the rollout.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
2023-02-27
12"
WW EXCL
Techno
Raise & Sgt. Risk
Sport6000
Sport / Sport6000
Label: Sport
Release: Sport6000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise – Enter Gavia
B – Raise & Sgt. Risk – Leaving_Navaro
Sport 6000
A – Raise – Enter Gavia
Raise cooked this one up after hunting down the legendary Loon (Gavia) call used in loads of classic rave tunes, courtesy of being a preset on the e-mu sampler. Sporting (hehe) an airy breakbeat, a heavenly synth loop and cavernous, distorted reese bass, this one sits snugly between big bad banger and emotional roller.
B – Raise & Sgt. Risk – Leaving_Navaro
Last tune that got finished in our old studio (which is now a huge pit in the ground). Dubbed “esoteric garage shit” one rather late night by someone who shall remain nameless, it’s built around a swinging 4/4 groove powered by warped bass. The pads carrying it all the way through might indeed be considered worthy of a spin at your monthly tree hugging ceremony, before the melancholic organ licks we laid down one serotonin-deprived night make this a bonafide tearjerker.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
Release: Sport6000
Artists: Raise, Sgt. Risk
Tracks:
A – Raise – Enter Gavia
B – Raise & Sgt. Risk – Leaving_Navaro
Sport 6000
A – Raise – Enter Gavia
Raise cooked this one up after hunting down the legendary Loon (Gavia) call used in loads of classic rave tunes, courtesy of being a preset on the e-mu sampler. Sporting (hehe) an airy breakbeat, a heavenly synth loop and cavernous, distorted reese bass, this one sits snugly between big bad banger and emotional roller.
B – Raise & Sgt. Risk – Leaving_Navaro
Last tune that got finished in our old studio (which is now a huge pit in the ground). Dubbed “esoteric garage shit” one rather late night by someone who shall remain nameless, it’s built around a swinging 4/4 groove powered by warped bass. The pads carrying it all the way through might indeed be considered worthy of a spin at your monthly tree hugging ceremony, before the melancholic organ licks we laid down one serotonin-deprived night make this a bonafide tearjerker.
https://sportisgreat.space/
https://soundcloud.com/sport-429583619
https://www.instagram.com/sport_recordings/
2022-12-06
12"
WW EXCL
Techno
house Dubstep
Raise & Sgt. Risk
The Shining Wall/ Weaponized Soul
Sport / Sport5000
A - Raise & Sgt. Risk
A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end.
B - Sgt. Risk - Weaponized Soul
The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff.
Both of these tracks where never meant to be "conceptual tributes", but just ended up that way.
A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.
A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end.
B - Sgt. Risk - Weaponized Soul
The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff.
Both of these tracks where never meant to be "conceptual tributes", but just ended up that way.
A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.
2020-05-26
12"
WW EXCL
Broken
Electro/ Breaks/ Minimal
Terrace
Ilmenite Mine
rawax / Rawax-S03
RAWAX prouldy welcomes Mr. Stefan Robbers aka Terrace to the family!
We're big fans and happy to present you some unreleased pearls from from the vault of this legendary artist!
Artist: Terrace
Title: Ilmenite Mine
Label: RAWAX
Genre: Eletcro/Techno
Format: 12"
Tracklisting:
A1. The Scream (12” version)
A2. Terrace - Revival
B1. It’s out there
B2. Data Tribe
Bio:
Stefan Robbers is one of the most known and respected non-U.K.-based European techno producers, and (along with Speedy J) one of the only Dutch techno artists to reach a wide audience outside of Holland. Recording as Terrace, Florence, and under his own name, Robbers has been responsible for some of the most memorable moments in experimental dance music in the last few years, from the first release on the now-commanding D-Jax label (Terrace's 1990 EP 916 Beuna Avenue) to recent Terrace and Florence full-lengths released on his own Eevo Lute imprint. Although tracks have appeared through GPR and New Electronica as well, his focus since 1994 has been on Eevo Lute, likely in an effort to raise awareness about Dutch techno artists and which also prompted the establishment (by Robbers and Speedy J's Jochem Paap) of a Dutch remix network. Most often cited in connection with the sort of "listening techno" associated with the Warp, GPR, and New Electronica labels, Robbers' recent releases have moved increasingly toward the incorporation of du jour electronica hybrids such as trip-hop and ambient jungle, although his trademark mixture of intricate, off-kilter rhythms and sweet melodies has remained. Along with Robbers' own releases, Eevo Lute has also issued material from David Caron, Max 404, and Wladimir M., as well as two label compilations (Agenda 21 and Agenda 22). A remixed version of Terrace's 1996 Konnekt LP, entitled Re-Konnekt, was released in 1996, featuring Speedy J, Global Communication, Sean Deason, Kirk Digiorgio, Orlando Voorn, and Thomas Heckmann.
Worldwide distributed by www.dbh-music.com
We're big fans and happy to present you some unreleased pearls from from the vault of this legendary artist!
Artist: Terrace
Title: Ilmenite Mine
Label: RAWAX
Genre: Eletcro/Techno
Format: 12"
Tracklisting:
A1. The Scream (12” version)
A2. Terrace - Revival
B1. It’s out there
B2. Data Tribe
Bio:
Stefan Robbers is one of the most known and respected non-U.K.-based European techno producers, and (along with Speedy J) one of the only Dutch techno artists to reach a wide audience outside of Holland. Recording as Terrace, Florence, and under his own name, Robbers has been responsible for some of the most memorable moments in experimental dance music in the last few years, from the first release on the now-commanding D-Jax label (Terrace's 1990 EP 916 Beuna Avenue) to recent Terrace and Florence full-lengths released on his own Eevo Lute imprint. Although tracks have appeared through GPR and New Electronica as well, his focus since 1994 has been on Eevo Lute, likely in an effort to raise awareness about Dutch techno artists and which also prompted the establishment (by Robbers and Speedy J's Jochem Paap) of a Dutch remix network. Most often cited in connection with the sort of "listening techno" associated with the Warp, GPR, and New Electronica labels, Robbers' recent releases have moved increasingly toward the incorporation of du jour electronica hybrids such as trip-hop and ambient jungle, although his trademark mixture of intricate, off-kilter rhythms and sweet melodies has remained. Along with Robbers' own releases, Eevo Lute has also issued material from David Caron, Max 404, and Wladimir M., as well as two label compilations (Agenda 21 and Agenda 22). A remixed version of Terrace's 1996 Konnekt LP, entitled Re-Konnekt, was released in 1996, featuring Speedy J, Global Communication, Sean Deason, Kirk Digiorgio, Orlando Voorn, and Thomas Heckmann.
Worldwide distributed by www.dbh-music.com
2016-06-14
12"
WW EXCL
Techno
Electro
Various Artists (E-DWARD, MATTHEW REDDEN, LORENZO MAGNOZZI, BCFHBH)
Introspection 01
Introspection Recordings / INTRLTD#001
Introspection Recordings is proud to present his new limited 300 copies series.
A four-track EP that practically oozes class, the debut offering from Italian label Introspection is nothing if not an auspicious one. Featuring four tracks from an evidently shrewdly chosen bunch of artists, Introspection001 takes on numerous different styles and sounds, with the end result one that’s thoroughly uncompromising and always engaging throughout. Featuring the work of four Italian producers; E-dward!, Matthew Redden, Lorenzo Magnozzi and BCFHBH, it’s a release that dazzles from start to finish.
We get going courtesy of Edoardo Scarpellini aka E-dward!’s ‘Got It’. A firm fixture in discerning Italian circles, as a DJ he has played in practically all of his country’s foremost nightspots, not least Cocoricò in Riccione, Spazio 900 in Roma as well as Tenax and Fortezza da Basso in Florence. Equally renowned as a producer, his sounds have brought him to a wide range of respected outlets, including Bosconi, and Apparel Music. A minimal track that’s but a sum of a few parts, Scarpellini’s contribution here is a dubby, weighty, emotional cut that’s high on intensity throughout.
Next up is Matteo Salvadorini aka Matthew Redden. A native of Livorno, Redden’s contribution here, the whimsical, curious strands of ‘Melancholic Probe In A Sad Space’ serves up a very different sound to what’s come before. A nimble, microhouse-inspired cut that’s both happy and sad while serving up a host of introspective vibes, Redden’s contribution here is truly a joy to behold.
The B side kicks off courtesy of label owner Lorenzo Magnozzi and his track, the wonderful ‘Acid Morning (Space Time)’. Another track on display here that’s been suitably named, it’s teeming with peak-time prowess, with its sporadic vocal stabs only adding to the sense of drama. A considerable move into a different sound sphere, it signals the EP’s intentions with some prowess. Supported by a host of respected names such as Ricardo Villalobos, Dana Ruh, Raresh, Tobi Neumann and Nastia, his is a sound that defines categorisation but one that always follows a discerning script.
Born in Huntingdon in the UK but raised in Pisa, BCFHBH started his musical journey at the age of 11, meddling with his parent’s vinyl collection, a move that would ultimately inspire a life-long love affair with all things electronic music. His deep house flavoured track, ‘Kin’ is a wonderfully deep number that harks back to the days when deep truly did mean deep. A classy, sophisticated and wonderfully restrained track, it signs off the release in some style.
A1_E-dward!_Got It
A2_Matthew Redden_Melancholic Probe In A Sad Space
B1_ Lorenzo Magnozzi_Acid Morning (Space Time)
B2_ BCFHBH_Kin
All tracks are written and produced by Edoardo Scarpellini, Matteo Salvadorini, Lorenzo Magnozzi, Bernard Bursill-Hall
• #INTRLTD001
• Introspection Recordings 2018
• distributed by: dbh-music
• mastered by: M.Chiti Conti at Green Beat Studio (IT)
• artworks credits: Gabriele Lodovigi
A four-track EP that practically oozes class, the debut offering from Italian label Introspection is nothing if not an auspicious one. Featuring four tracks from an evidently shrewdly chosen bunch of artists, Introspection001 takes on numerous different styles and sounds, with the end result one that’s thoroughly uncompromising and always engaging throughout. Featuring the work of four Italian producers; E-dward!, Matthew Redden, Lorenzo Magnozzi and BCFHBH, it’s a release that dazzles from start to finish.
We get going courtesy of Edoardo Scarpellini aka E-dward!’s ‘Got It’. A firm fixture in discerning Italian circles, as a DJ he has played in practically all of his country’s foremost nightspots, not least Cocoricò in Riccione, Spazio 900 in Roma as well as Tenax and Fortezza da Basso in Florence. Equally renowned as a producer, his sounds have brought him to a wide range of respected outlets, including Bosconi, and Apparel Music. A minimal track that’s but a sum of a few parts, Scarpellini’s contribution here is a dubby, weighty, emotional cut that’s high on intensity throughout.
Next up is Matteo Salvadorini aka Matthew Redden. A native of Livorno, Redden’s contribution here, the whimsical, curious strands of ‘Melancholic Probe In A Sad Space’ serves up a very different sound to what’s come before. A nimble, microhouse-inspired cut that’s both happy and sad while serving up a host of introspective vibes, Redden’s contribution here is truly a joy to behold.
The B side kicks off courtesy of label owner Lorenzo Magnozzi and his track, the wonderful ‘Acid Morning (Space Time)’. Another track on display here that’s been suitably named, it’s teeming with peak-time prowess, with its sporadic vocal stabs only adding to the sense of drama. A considerable move into a different sound sphere, it signals the EP’s intentions with some prowess. Supported by a host of respected names such as Ricardo Villalobos, Dana Ruh, Raresh, Tobi Neumann and Nastia, his is a sound that defines categorisation but one that always follows a discerning script.
Born in Huntingdon in the UK but raised in Pisa, BCFHBH started his musical journey at the age of 11, meddling with his parent’s vinyl collection, a move that would ultimately inspire a life-long love affair with all things electronic music. His deep house flavoured track, ‘Kin’ is a wonderfully deep number that harks back to the days when deep truly did mean deep. A classy, sophisticated and wonderfully restrained track, it signs off the release in some style.
A1_E-dward!_Got It
A2_Matthew Redden_Melancholic Probe In A Sad Space
B1_ Lorenzo Magnozzi_Acid Morning (Space Time)
B2_ BCFHBH_Kin
All tracks are written and produced by Edoardo Scarpellini, Matteo Salvadorini, Lorenzo Magnozzi, Bernard Bursill-Hall
• #INTRLTD001
• Introspection Recordings 2018
• distributed by: dbh-music
• mastered by: M.Chiti Conti at Green Beat Studio (IT)
• artworks credits: Gabriele Lodovigi
2019-10-14
12"
WW EXCL
Techno - Minimal
Minimal Techno
Stefan Weise
The Tales We Tell Our Children
credo / credowhite01
A new chapter for CREDO begins with Stefan Weise`s eight track album "The Tales We Tell Our Children" on its new sublabel CREDO.WHITE. Following the classic longplayer tradition of vinyl records these eight tracks on pure white vinyl deliver a facette of the CREDO sound being indicated by some single EP or album contributions already in the past, but now coming into full effect by this outstanding work of italy-born, germany-raised and meanwhile U.S. based Stefan Weise who made his name in the Dubtechno cosmos with his definition of deep, chordish and atmospheric technomusic. the rough playtime of around 20 minutes per side guarantees club-compatibility going hand in hand with extended listening pleasure for the living-room based turntable- and vinyl lovers.
2018-11-26
12"
12
WW EXCL
Techno - Dub
Dub Techno
Dwayne Jensen feat. Miyon
Believe (incl. Norm Talley Rmx)
rawax / RMCE002
RAWAX proudly welcomes Detroit's legendary Dwayne Jensen to the family!
Artist: Dwayne Jensen feat. Miyon
Title: Believe
Label: Rawax
Genre: Deep House
Additional remix by Norm Talley
Format: 12"
Rel. date: 21.03.02016
Tracklising:
A1. Believe - Mike Springer Piano Man Master Remix
A2. Believe - Norm Talley Remix
B1. Believe - Dwayne Jensen Deep Spiritial Soul Remix
B2. Believe - Dwayne Jensen Power Remix
Worldwide distributed by www.dbh-music.com
Info Dwayne Jensen:
A born entertainer is what he is called. One of the most talked about artist out of Detroit in some time. His unique blend of soulful grooves, with filtered deep disco remixes, combined with in your face over powering tech house seasonings give his music a special blend that is none mistakably his own. The Detroit native, is a self taught Musician, Producer and Writer. Dwayne is no new comer to Detroit's electronic music scene. He has been a DJ, and Producer of funky house, and early techno since it's inception. Dwayne started off as a Jazz drummer & percussionist.
A born entertainer is what he is called. One of the most talked about artist out of Detroit in some time. His unique blend of soulful grooves, with filtered deep disco remixes, combined with in your face over powering tech house seasonings give his music a special blend that is none mistakably his own. The Detroit native, is a self taught Musician, Producer and Writer. Dwayne is no new comer to Detroit's electronic music scene. He has been a DJ, and Producer of funky house, and early techno since it's inception. Dwayne started off as a Jazz drummer & percussionist. He was heavily influenced by the Funky, Progressive and Electronic sound developed in Detroit, Chicago, and New York. He was truly inspired by DJ's such as; Juan Atkins, Farley, Mike Hitman Wilson, Frankie Knuckles, Steve Silk Hurley, Mr. Fingers, Louie Vega, DJ Sneak, Todd Terry, and Larry Heard. Dwayne was also deeply influenced by a DJ named Electrifying Mojo. His radio show was responsible for inspiring so many Detroit artist, and was Dwayne's introduction to electronic music. The fire was ignited for this artist, and there was no turning back! After spinning local parties and working with legendary Detroit underground promoters, he worked his way up to playing a long list of legendary clubs. The club he has the best memories of is Luomo in the late 80's. Luomo was where Dwayne really learned to fly, and developed his unique style that is still displayed to this date. A four on the floor, heavy bassed, soulful, energetic, melodic, percussion filled, hi tech, deep house sound.
Dwayne next spent 2 years living in the Finsbury Park area of London, where he absorbed a wide variety of influences such as British, UK, German, French, Italian, African & Jamaican culture's; as well as the vibe around the London's underground. Dwayne study abroad, and DJed in some of London's Underground clubs in Soho. The time there opened Dwayne up to a more world sound, and helped to expand his mind, for a true full package for him as a producer, and DJ. He credits his true “DJ & music production education” to attending Eastern Michigan University, whose students also included Kevin Saunderson & Eddie Fowlkes - along with weekly visits from Juan Atkins, Derrick May, and other rising stars. “The assortment of young talent and inspiration for music was absolutely “off the charts,” exclaims Jensen, who became both friends and DJ contemporaries with them all. He continued to support, and inspire the foundation of a new musical evolution of which we now call Techno. “The thing back then was to create music that we could all play at DJ gig's on the weekend, and from that we basically started to experiment.” I think that all of these collaborative efforts definitely worked out for the best!” Dwayne and Kevin Saunderson worked together on many projects. Dwayne released an EP called Rebellious on the KMS label, and worked on many Remixes for that label.
Dwayne was now ready to let all his experiences, and talents out of the box. He started his Fathom Records label in the late 90s. The label gave him full control to express his true voice in the House music world. He released countless “dance floor -filling anthems” such as: The “Traveler EP”, “Dancer EP”, and the smash hit “Believe” featuring Miyon, with Remixes from Norm Tally (which became a cult hit overseas). Jensen also released “Don't Fight It” featuring Courtney Jackson - an artist that toured with Aretha Franklin in 2003. He released his first full-length album called “Digital People” the album featured Billy Love, a sultry Chilean poet/vocalist named Kat, and Jensen on vocals. Dwayne also released an EP and remixes on the Soiree Records label, which have both received, much worldwide acclaim. The latest release on Soiree is Detroit Deep Constructed, the EP has received great praise. He has been featured on the Beat Down Compilation produced by the Third Ear Record label from Japan on a track called “My People”. The compilation featured some of the best artists from Detroit's Electronic musical underground scene. He has recently released the Night Vision EP released on limited vinyl on the Dockside label from France, and the Ignition EP on the London based Landed Record label, the new releases are classic Dwayne Jensen deepness, and has added to the countless remixes, and Ep's he has created for all-star artists like: Distant People, Nicole Mitchell, Doc Link, La Veda, Malik Alston, Billy Love, Carmen D, Jesse Outlaw, Inner City, Yaminah, Project Soul LA, and from artist from every part of the globe.
How would one best describe Dwayne Jensen's DJ sets? “Pumping, Bass-Filled, Sexy, Soulful, Stimulating, Deep, Eclectic, Melodic Grooves, Spiritual influenced, and Hard Hitting. Dwayne has Djed with some of the worlds best in Electronic music. Stars like: Jesse Saunders, Kenny Dope, Roy Davis Jr, E-Man, Doc Link, Kevin Saunderson, Jesse Outlaw, Jo Jo Flores, Oscar P, Glen Underground, Boo Williams, Craig Alexander, Deep Swing, Ron D 8 Lim, Norm Tally, Ken Collier, Felton Howard, Jullian Jumping Perez, Alton Miller, Mark kitchen, and many more. Dwayne has been featured in the legendary Movement Festival in Detroit on 3 occasions with great praise, and reviews. First in 2002 for the DEMF, second in 2005, and lastly in 2012 on the Made in Detroit Stage. He has been a feature artist in Miami's Winter Music Conference for over a decade. Jensen was also selected in 2001 as one of Submerge Detroit & Real Detroit Magazine’s Top 20 Iconic DJ's, in recognition of his tremendous dedication to the DJ art form and his musical contributions to the city of Detroit. As an artist who has paid his dues, and has truly earned respect by the key players in the underground community worldwide - the sky's the limit for this artist who’s truly on the rise!
For More info:
fathomrecords@hotmail.com
www.facebook.com/dwaynejensen
www.Residentadvisor/dwaynejensen
www.reverbnation.com/djdwaynejensen
Artist: Dwayne Jensen feat. Miyon
Title: Believe
Label: Rawax
Genre: Deep House
Additional remix by Norm Talley
Format: 12"
Rel. date: 21.03.02016
Tracklising:
A1. Believe - Mike Springer Piano Man Master Remix
A2. Believe - Norm Talley Remix
B1. Believe - Dwayne Jensen Deep Spiritial Soul Remix
B2. Believe - Dwayne Jensen Power Remix
Worldwide distributed by www.dbh-music.com
Info Dwayne Jensen:
A born entertainer is what he is called. One of the most talked about artist out of Detroit in some time. His unique blend of soulful grooves, with filtered deep disco remixes, combined with in your face over powering tech house seasonings give his music a special blend that is none mistakably his own. The Detroit native, is a self taught Musician, Producer and Writer. Dwayne is no new comer to Detroit's electronic music scene. He has been a DJ, and Producer of funky house, and early techno since it's inception. Dwayne started off as a Jazz drummer & percussionist.
A born entertainer is what he is called. One of the most talked about artist out of Detroit in some time. His unique blend of soulful grooves, with filtered deep disco remixes, combined with in your face over powering tech house seasonings give his music a special blend that is none mistakably his own. The Detroit native, is a self taught Musician, Producer and Writer. Dwayne is no new comer to Detroit's electronic music scene. He has been a DJ, and Producer of funky house, and early techno since it's inception. Dwayne started off as a Jazz drummer & percussionist. He was heavily influenced by the Funky, Progressive and Electronic sound developed in Detroit, Chicago, and New York. He was truly inspired by DJ's such as; Juan Atkins, Farley, Mike Hitman Wilson, Frankie Knuckles, Steve Silk Hurley, Mr. Fingers, Louie Vega, DJ Sneak, Todd Terry, and Larry Heard. Dwayne was also deeply influenced by a DJ named Electrifying Mojo. His radio show was responsible for inspiring so many Detroit artist, and was Dwayne's introduction to electronic music. The fire was ignited for this artist, and there was no turning back! After spinning local parties and working with legendary Detroit underground promoters, he worked his way up to playing a long list of legendary clubs. The club he has the best memories of is Luomo in the late 80's. Luomo was where Dwayne really learned to fly, and developed his unique style that is still displayed to this date. A four on the floor, heavy bassed, soulful, energetic, melodic, percussion filled, hi tech, deep house sound.
Dwayne next spent 2 years living in the Finsbury Park area of London, where he absorbed a wide variety of influences such as British, UK, German, French, Italian, African & Jamaican culture's; as well as the vibe around the London's underground. Dwayne study abroad, and DJed in some of London's Underground clubs in Soho. The time there opened Dwayne up to a more world sound, and helped to expand his mind, for a true full package for him as a producer, and DJ. He credits his true “DJ & music production education” to attending Eastern Michigan University, whose students also included Kevin Saunderson & Eddie Fowlkes - along with weekly visits from Juan Atkins, Derrick May, and other rising stars. “The assortment of young talent and inspiration for music was absolutely “off the charts,” exclaims Jensen, who became both friends and DJ contemporaries with them all. He continued to support, and inspire the foundation of a new musical evolution of which we now call Techno. “The thing back then was to create music that we could all play at DJ gig's on the weekend, and from that we basically started to experiment.” I think that all of these collaborative efforts definitely worked out for the best!” Dwayne and Kevin Saunderson worked together on many projects. Dwayne released an EP called Rebellious on the KMS label, and worked on many Remixes for that label.
Dwayne was now ready to let all his experiences, and talents out of the box. He started his Fathom Records label in the late 90s. The label gave him full control to express his true voice in the House music world. He released countless “dance floor -filling anthems” such as: The “Traveler EP”, “Dancer EP”, and the smash hit “Believe” featuring Miyon, with Remixes from Norm Tally (which became a cult hit overseas). Jensen also released “Don't Fight It” featuring Courtney Jackson - an artist that toured with Aretha Franklin in 2003. He released his first full-length album called “Digital People” the album featured Billy Love, a sultry Chilean poet/vocalist named Kat, and Jensen on vocals. Dwayne also released an EP and remixes on the Soiree Records label, which have both received, much worldwide acclaim. The latest release on Soiree is Detroit Deep Constructed, the EP has received great praise. He has been featured on the Beat Down Compilation produced by the Third Ear Record label from Japan on a track called “My People”. The compilation featured some of the best artists from Detroit's Electronic musical underground scene. He has recently released the Night Vision EP released on limited vinyl on the Dockside label from France, and the Ignition EP on the London based Landed Record label, the new releases are classic Dwayne Jensen deepness, and has added to the countless remixes, and Ep's he has created for all-star artists like: Distant People, Nicole Mitchell, Doc Link, La Veda, Malik Alston, Billy Love, Carmen D, Jesse Outlaw, Inner City, Yaminah, Project Soul LA, and from artist from every part of the globe.
How would one best describe Dwayne Jensen's DJ sets? “Pumping, Bass-Filled, Sexy, Soulful, Stimulating, Deep, Eclectic, Melodic Grooves, Spiritual influenced, and Hard Hitting. Dwayne has Djed with some of the worlds best in Electronic music. Stars like: Jesse Saunders, Kenny Dope, Roy Davis Jr, E-Man, Doc Link, Kevin Saunderson, Jesse Outlaw, Jo Jo Flores, Oscar P, Glen Underground, Boo Williams, Craig Alexander, Deep Swing, Ron D 8 Lim, Norm Tally, Ken Collier, Felton Howard, Jullian Jumping Perez, Alton Miller, Mark kitchen, and many more. Dwayne has been featured in the legendary Movement Festival in Detroit on 3 occasions with great praise, and reviews. First in 2002 for the DEMF, second in 2005, and lastly in 2012 on the Made in Detroit Stage. He has been a feature artist in Miami's Winter Music Conference for over a decade. Jensen was also selected in 2001 as one of Submerge Detroit & Real Detroit Magazine’s Top 20 Iconic DJ's, in recognition of his tremendous dedication to the DJ art form and his musical contributions to the city of Detroit. As an artist who has paid his dues, and has truly earned respect by the key players in the underground community worldwide - the sky's the limit for this artist who’s truly on the rise!
For More info:
fathomrecords@hotmail.com
www.facebook.com/dwaynejensen
www.Residentadvisor/dwaynejensen
www.reverbnation.com/djdwaynejensen
2016-03-21
12"
WW EXCL
House
House
anestie gomez
self report ep
six d.o.g.s. records / sdrg003
Anestie Gomez – Self Report EP
12’’ VINYL
a1. Low Flying Methods
a2. Gutta Percha
b1. Certified Tourism
b2. Senor Mirijasz
six d.o.g.s records’ third release under the Gilda - contemporary, club-oriented electronic music - series, is Anestie Gomez’s ‘Self Report’ EP.
Born and raised in Athens, Greece, Anestie grew up to become a DJs’ DJ, six d.o.g.s resident and founding member of well known Athenian Booking agency/party collective Revolt!.
His 12’’ debut features four tracks of forward thinking, minimal house music showcasing Anestie’s love of artists such as Zip, Rhadoo and Ricardo Villalobos and his reinterpretation of their sound.
Side A consists of ‘Low Flying Methods’ and ‘Gutta Percha’, both true testaments of Anestie’s ability to bridge his inclination to produce unconventional deep house music with his desire to please demanding crowds on the dancefloor.
‘Certified Tourism’ on Side B is quirky micro house at its best, well crafted grooves accompanied by the mood setting vocals of Soul Mekanik’s ‘C’est Robotique’ whereas ‘Senor Mirijasz’ takes us on a mysterious path of hazy, jazz fueled electronics and the secret hope of never ending bliss.
12’’ VINYL
a1. Low Flying Methods
a2. Gutta Percha
b1. Certified Tourism
b2. Senor Mirijasz
six d.o.g.s records’ third release under the Gilda - contemporary, club-oriented electronic music - series, is Anestie Gomez’s ‘Self Report’ EP.
Born and raised in Athens, Greece, Anestie grew up to become a DJs’ DJ, six d.o.g.s resident and founding member of well known Athenian Booking agency/party collective Revolt!.
His 12’’ debut features four tracks of forward thinking, minimal house music showcasing Anestie’s love of artists such as Zip, Rhadoo and Ricardo Villalobos and his reinterpretation of their sound.
Side A consists of ‘Low Flying Methods’ and ‘Gutta Percha’, both true testaments of Anestie’s ability to bridge his inclination to produce unconventional deep house music with his desire to please demanding crowds on the dancefloor.
‘Certified Tourism’ on Side B is quirky micro house at its best, well crafted grooves accompanied by the mood setting vocals of Soul Mekanik’s ‘C’est Robotique’ whereas ‘Senor Mirijasz’ takes us on a mysterious path of hazy, jazz fueled electronics and the secret hope of never ending bliss.
2015-06-23
12"
WW EXCL
Techno - Minimal
minimal techno
various artists
hairy edits ep
DBH Services / nhrcs002
Label name: NHRCS
Cat. No. : 002
Format: only vinyl
Artist: V/A Hairy Edits ep
Noho records presents Hairy Edits ep, which gathers a bunch of artists at ease with the tape, already well known for their projects in the Brenta Studios as Muscle Records. Sagats & Madi Grein make up the brand new Brenta duo, stay tuned! The mysterious funky man Caio. Steve Murphy certainly needs no introduction, his productions with Die Roh duo and the legendary dj octopus raise the wind in Chicago! Last but not the least,
another tape son, the great Sir Leon Greg (incarnation of Perseus Traxx)! His works on future flash and warehouse classic won the appreciation of the Noho guys. Highly Recommended!!
Cat. No. : 002
Format: only vinyl
Artist: V/A Hairy Edits ep
Noho records presents Hairy Edits ep, which gathers a bunch of artists at ease with the tape, already well known for their projects in the Brenta Studios as Muscle Records. Sagats & Madi Grein make up the brand new Brenta duo, stay tuned! The mysterious funky man Caio. Steve Murphy certainly needs no introduction, his productions with Die Roh duo and the legendary dj octopus raise the wind in Chicago! Last but not the least,
another tape son, the great Sir Leon Greg (incarnation of Perseus Traxx)! His works on future flash and warehouse classic won the appreciation of the Noho guys. Highly Recommended!!
2015-04-14
12"
WW EXCL
House
house
few nolder
IF
connaisseur recordings / cns067-6
Nobody can deny the fact that Vilnius in Lithuania is currently a very creative and agile place. First and foremost Mario Basanov of course, whose Ten Walls moniker swept the board last year and whose hype seems to have only just started.
His popularity was heightened by the start of his own label Boso. It took off with the highly praised "Walking With Elephants", which was already one of the biggest tunes of this summer, before it even came out.
The second release is by Few Nolder, another highly talented native from Vilnius, who showed frst signs of life on Connaisseur with his lovely tune "Space Espace" on our last edition of Livingroom Techno as well as with his remix for "Canto D'Amore" by Marco Effe & Francesco Carone. "Clouds" is the name of his Boso release, and it looks to be the next big thing for this young label.
For his frst own release on Connaisseur he delivered "IF".The fact that it is different from his other output is why we have decided to present this tune in two versions as a 10" vinyl-only single.
The original is a summerish and catchy house cut with a bouncy bassline and a slightly UK-approach.This tune makes you move without there being much you can do about it.
The alt version goes deeper, building up with a question/answer theme until a strong, driving piano element joins to complete the track. Lovers of older Pokerflat releases will truly enjoy this version.
We really believe in Few Nolder, which is why we can already announce another release, which is planned for autumn.
Center-artwork is again by Danish artist Sjulle Anker. Check her webpage so see all her works: www.sjulle.com.
His popularity was heightened by the start of his own label Boso. It took off with the highly praised "Walking With Elephants", which was already one of the biggest tunes of this summer, before it even came out.
The second release is by Few Nolder, another highly talented native from Vilnius, who showed frst signs of life on Connaisseur with his lovely tune "Space Espace" on our last edition of Livingroom Techno as well as with his remix for "Canto D'Amore" by Marco Effe & Francesco Carone. "Clouds" is the name of his Boso release, and it looks to be the next big thing for this young label.
For his frst own release on Connaisseur he delivered "IF".The fact that it is different from his other output is why we have decided to present this tune in two versions as a 10" vinyl-only single.
The original is a summerish and catchy house cut with a bouncy bassline and a slightly UK-approach.This tune makes you move without there being much you can do about it.
The alt version goes deeper, building up with a question/answer theme until a strong, driving piano element joins to complete the track. Lovers of older Pokerflat releases will truly enjoy this version.
We really believe in Few Nolder, which is why we can already announce another release, which is planned for autumn.
Center-artwork is again by Danish artist Sjulle Anker. Check her webpage so see all her works: www.sjulle.com.
2014-08-27
10"
10
WW EXCL
Tech House
tech house
200 Records200 RECORDS22 digit ltd303 state4010803 Crystalgrooves8KO RecordsAbandonedAbandoned AudioAcid JesusacidsexACIDWAXADDICT RECORDSAdult Centralaffekt ltdAfter 6 amAfterbeatsafuafu limitedafulabAHABALL EARSAll That JellyAlways Deep RecordsAmazone RecordsAmong RecordsAmourAmperean.artAnalog ExperienceAnalog RoomAnalog VersionsAnalogue Networkandromedaanyone recordsApartmentApartment RecordsArkitypArt Imaginationart zeroArtmindingashppeAssemble MusicAudionik Ltd.aura karma recordsAUSBLICKAVI recordsAwareness SystemAxaminer recordsazimut recordsbadanceBalance RecordingsBalders AudioBasaecbassa clanbauhousebe chosenbeartone recordsBeef RecordsBeste FreundeBeste ModusBig Beak RecordingsBiotop LabelBipolar StateBis Bald RecordsbjBlack Catblack wallblossom kollektivBlowBlu Fin RecordsBlue MondaysBogen Konzept RecordingsBon Vivant Ltd.boogie paradiseBoogizmboomchikBoomstraat 1818BOOMSTRAAT 1818bootBOY RecordsBrave New RaveBrooklyn Bridge MusicBSRBufosBug WanBungalo DiscoBunte KuhC-lektroCADENZACall To ActionCameleon Collective RecordingsCARGO EDITIONcb sessionsCécille RecordsCécille RecordsCécille RecordsCentral ElectronicsCheap ClassicsCHEAP RECORDSchiwaxchiwax classic editionCircles & StonesCircuit Structure Recordscitylow recordsClandestine MusicClimax CultCollect Recordscologne underground recordsCommunique Recordscompute musicConcealed SoundConcepts Of TimeCONFLICTconnaisseur recordingsCorpcorrupted by societycosmo recordscounterweightCOUNTRY WESTERNcredocredo black seriesCrimsonCrooked Acres RecordsCSMCurl CurlCYBLOCYRKd.ko recordsD1 RecordingsD:fferent PlaceD:fferent PlaceDANCERDancer Plays RecordsDark VortexDBH Recordsdeep clubDeep DinersDeep Downdeep seriesDeep Structure RecordsDelirium RecordsDelphic Iris Recordsdelta codeDet Gode SelskabDetroit Classic Gallerydetroit record companyDiaphan MusicDiferit RecordsDiffikultdisc companydisc over musicdiscarded gemsDiscernible RecorddisciplinaDisco BizarreDiscoursDisk CapitaDivine RecordsDjungle Feverdmomdo easy recordsDock RecordsDogs Dancing RecordsDomina TraxxDomina TrxxxDosmiltresdriving forcesDub ChroniclesdubwaxDuckit Recordsdum recordseat more houseEdits For The Common ManEinfach Höreneintaktelectric blueElectrocute SoundplatesElectrowaxElements Electricelipse musicEllon MusicEnclave RecordsEnvelope Mountain RecordsEnvelope Mountain RecordsEON Recordsepilogepilog recordsequivalenceEra Specific NoiseEUN RecordsEUN RecordsEvigethenEvighetenEx.societyface to faceFactory Music ChicagoFaith In TruthFanfar Onfckin seriousfckng seriousFelga Ltd.fizical recordsflash recordingsForce Inc.Form & TerraForm & Terra Recordsfoul & sunkfour twentyfoxy redFreddy Fresh Classic EditionFur TradeFuture Beat Alliance RecordsGabCat Recordsgenial recordsGet In Touchgipsy musicGolden SecondsGravity SurferGRC RecordingsHamsa InternationalHangar Beatz RecordsHARDFLOORhardworksoftdrinkharthousehauptbahnhof musikHEAD IN THE CLOUDShike recordingsho do riHODD TRAXXHot Street RecordsHôtel CostesHOTMIX RecordsHOTSTREET RECORDSHouse House HousehousewaxhouseworxHouseworx Recordshowmanytimesyoudancetoit?hueso recordsICONYCIL CORPOIm in loveImplosive Recordsin the dark againIndicateindulge recordsIndustrial Strenght RecordsInfodump RecordingsInjection MusicInner BalanceInstrospection Recordingsintangible records & soundworksIntangible Records and SoundworksINTERCONNECTIntermission Recordingsinternational day offIntrinsic RhythmIntrospection RecordingsInvoluntary MovementInward ChannelIsolateItalo BrutaloIVUJack on BlackJesus Loved YouJunkfoodk klassikKatermukkekeezako recordsketsklang elektronikKoepelKONFUSKrank’m’Haus RecordsKultur RecordingsKULTUR Recordingskusi recordsla penaLaboratory Instinctlake placidlaterraLeap RecordsLegacyLevitiuim RecordsLGNLINIARLOK RecordingsLORNALost In Sound Recordingslove letters from oslolower partsLuminal rec.luna city labluv shack recordsMacarena MusicMachineries of JoyMade At Nightmainakustikmainrecordsmainrecords limitedMake Out MusicMakin' Madd RecordsMaschineMassage Brain CultMastak RecordsMaster Jamsmedeia recordsMedia Vision Recordingsmedukameleon musicMelodizemelodram recordingsmementomensch musikmental sound odysseymesmamesma recordsMeta LevelMettlewaxMezinMia Recordsmiava recordsMidi Records RomaniaMidi TripMiditrip RecordsMikro RecordsMille PlateauxMIRMISBHV Recordingsmode of expressionmodelismeModelismemodular expansion recordsMole People seriesmolten moodsMoment RecordsMonasterionmono recordsMonochromatic RecordsMonsoon RecordsMood EditsMood MusicMoon Harbour RecordingsMoonglade SoundMovida Recordsmriya recordsMud TraxMultinotesmusic is artMusic Is ArtMuttis - 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